Hassan Sanusi

Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.

Anton SH (Robby Sugara), a young lawyer, is overcome by fear of the madness that has infected his father and grandfather. Because of that, he was afraid to marry. When he finally married Marina (Marini), he asked her not to get pregnant. This family's journey is even more complicated because Marina's career is successful as a singer and Anton's lack of success as a lawyer. Difficulties peaked when Marina became pregnant.

A white alligator lives in a big river in a village. It drags Kadir’s daughter, Juleha, and drowns her. Thanks to Komar the alligator tamer, Juleha is found alive. Apparently, the alligator is an incarnation of Jafar, a friend of Komar. (filmindonesia.or.id)

Unlike in traditional *lenong* tales, Si Pitung does not die; he is like a cowboy who resolves a problem and then moves on. Si Pitung (Dicky Zulkarnaen), a student of H. Naipin (M. Panji Anom), gains the strength to fight against the oppression inflicted upon the common people by landlords. With the help of his friend Djiih (Sandy Suwardy), he thrashes the landlords' hired thugs as well as the colonial police officers. Meanwhile, the colonial police commander (A. Hamid Arief) devises a plan to thwart Pitung. Pitung’s girlfriend, Aisyah (Paula Rumokoy), is taken to become the third wife of Demang Meester (H. Mansjur Sjah). Just as the wedding celebration is about to take place, Pitung succeeds in rescuing his beloved, declaring that he will go to wherever people are in need.

Harun who cannot stand Mustofa’s repressiveness decides to leave his village to study martial arts. One year later, Harun returns and defends the villagers repressed by Mustofa

Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.

Because she violated the doctor’s order to not get pregnant again, Yuwono’s wife finally dies while she is pregnant with her third child. Yuwono then marries an office staff, Ningsih. Harun, another co-worker who also loves Ningsih, tries to destroy Yuwono by tampering with the office’s financial report so that Yuwono is arrested and is investigated. Harun then influences Ningsih, regarding her standing as a stepmother, so that Yuwono’s house is taken over and the stepchildren, Netty and Susy, are treated harshly. The two children run away from home, looking for their father, and are separated for a time. When Yuwono is proven innocent and is released, he does not find his children at home and goes around Jakarta to look for them. He finally finds them again.

Dono, Kasino, Indro, and Dorman want to open a detective agency. However, because of disagreements between them, their friendship was split into two groups, namely Kubu Kubu Casino-Dono and Indro-Dorman. Both sides are competing to be the best detectives. Competition begins when they're looking for a beautiful secretary and promote their prowess.

An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.

A comedy film about two twins who were separated since childhood. Napi and Pinarto. Funny and silly incidents occur because of many misunderstandings.

Armansyah Perkasa Alam, a rising movie and radio star, receives a lot of fan letters that he uses to indulge his playboy behaviour. His friend, Trisno, keeps cautioning him to no avail. Armansyah begins to juggle too many appointments with too many girls. Finally, all eight girls that he is trying to seduce realise his trick and they all leave Armansyah.

Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.

A poor man who's mistreated, about to be evicted (along with his mother) and beaten and left for dead by his landlord and his goons, finds a possible remedy for his problems in a "Whip of Fire" family heirloom.

The residents of a dormitory led by Bu Siti each have their own personal issues. Tari, a dance student, falls in love with a man old enough to be her father. Rahimah, a medical student, is about to be forced into marriage in her village but is rescued by Nasrul. Maria, a flight attendant, gets entangled in a love quadrangle. She is loved by Imansyah, a co-pilot, but Maria is more attracted to Broto, a wealthy merchant. However, Broto himself is more interested in Sita, a dance instructor. Additionally, two teenagers, Ani and Ina, are placed under Bu Siti's care because their parents are preoccupied with politics. All these problems are resolved in a comedic manner.

Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.

Set after the Indonesian War of Independence, Maman arrives to his village only to meet Mat Codet, the leader of a rogue gang who just escaped prison.

A man violates his village's law by seducing and abandoning his childhood sweetheart. Exiled to Jakarta, he learns to love and respect those in the red light district, causing him to return home in an effort to make amends.