L. Vijayalakshmi

Enslaved convicts for treason plan escape but get caught by pirates and work for them before gaining their support and fighting back their country's authoritarian rule.

Sadanand, a successful businessman, has two business partners, Nithyanand and Murthy. Things take an unexpected turn when Murthy murders Sadanand out of greed.

1966 film starring Sanjeev Kumar, L. Vijayalakshmi and Sheikh Mukhtar

The business partner and some employees of the elderly Mr. Somasundaram plot to eliminate him by hiding a bomb inside a doll. Learning of the plot, a few others try to avert the calamity. The story consists of the series of events by which the doll keeps changing hands, while being chased by those involved in the plot, and also by those trying to prevent it from exploding.

Aakasa Ramanna is a Telugu language film starring Kanta Rao and Rajashree in lead roles. The film was released in the year 1965 and has been directed by G. Viswanathan. The producer of the film is S. Bhavan Narayana. Film picturization started on 31st December 1964 and released on 8th July 1965.

After an officer is shot dead, a CID officer, Shankar, is tasked with investigating to find his colleague's killers. He soon starts unravelling the mystery behind his colleague's death.

After her husband’s death, a woman struggles to raise her only son. Later, he becomes a famous surgeon and gets married to a wealthy girl but misunderstandings drive them apart.

After the Pandavas are forcefully exiled by their enemies, they must get together and fight back in order to reclaim their land.

Gundamma is a rich widow who dotes on her daughter Saroja but mistreats her stepdaughter Lakshmi. When brothers Anji and Raja encounter this family, they decide to teach the old woman a lesson.

Dr. Murali Krishna loves Anuradha, but he loses his scholarship after a misunderstanding with her. Krishna becomes engaged to Lakshmi before going to London. An uninterested Lakshmi asks Anuradha to write letters to Krishna on her behalf, intensifying Anuradha's feelings. Then Krishna has an accident and everything changes.

Madhu, a wealthy and naive boy, meets Vasanthi and develops feelings for her. However, he gets depressed after knowing that Vasanthi only saw him as a brother.

Paadhai Theriyudhu Paar is a 1960 Indian Tamil-language drama film directed by Nemai Ghosh. The film stars K. Vijayan and S. V. Subbaiah in the lead roles. The film had musical score by M. B. Sreenivasan. The film won the National Film Award for Best Feature Film in Tamil along with Kalathur Kannamma.

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

Ramu is an innocent son of a rich landlord who is afraid of his brother-in-law Narendran and his whiplash. To escape from his punishments, Ramu leaves his house and his look-alike replaces him. Enga Veettu Pillai is a remake of NTR’s Ramudu Bheemudu 1963 Telugu movie. Both are directed by same director Tapi Chanakya

Swash buckling, and daring Ashiq Hussain is a caring and helpful person. He meets with the Shehzadi Ruksana and both fall in love with each other. But the emperor and the country's Vazir-e-Azam have set a few conditions that Ashiq must fulfill before he can even think of marrying the Shehzadi. He must recover the bring to the emperor a precious stone, and for that he will have to go through monsters, evil magicians, and strange lands, that no mortal has ever gone through nor survived to live and tell the tale.

A faithful retainer tries to foil the plot to replace his country's queen with a look-alike.

The Pandavas have to finish 13-year exile and hide their real identities until Vijayadashmi. Arjun's son, Abhimanyu, falls in love with Virata's daughter Uttaraa, but does not reveal his identity.

Mahakavi Kalidas Directed by R. R. Chandran. Princess Vidyotama vows to marry the man who defeats her in debate, but she wins every time. Through a ruse, her spurned suitors manage to marry the princess to the simpleminded Kalidas. Ashamed of his ignorance, Kalidas becomes a seeker of knowledge and is bestowed with wisdom by the goddess Kali. This moving story of love and enlightenment is based on legends surrounding real-life poet Mahakavi Kalidas.

A once loyal soldier faces many challenges after turning into a rebel.

Ramudu and Bheemudu are look-alikes who are both fed up of their respective lives. They incidentally end up taking each other's place in their homes, which leads to hilarious consequences.

Batasari is a 1961 Indian Telugu-language drama film. It is based on the Bengali novel Bardidi by Saratchandra Chatterjee.

Sekhar is separated from his twin, Anand, after getting abducted and grows up to be a criminal. When Sekhar is injured in an encounter, the police ask Anand to impersonate him and bring down his gang.

Four brothers live happily together as a joint family. But when misunderstandings arises between them, they need to overcome them to live happily again.

When asked by the king what his ambition is, prince Pratap says he wants to marry four celestial maidens. The angered king exiles him and Pratap sets off on a quest to find the maidens.

Prahlada, Lord Vishnu's staunch devotee, is born to Hiranyakashipu (S.V. Ranga Rao) his father. Hiranyakashipu is determined to dissuade his son from worshipping Lord Vishnu, as the Lord killed his brother, Hiranyaksa. To prevent Prahlada's devotion, Hiranyakashipu is willing to go to any extent.

This movie is based on the great poet Raghavanka's 'Harishchandra Kavya'. Satya Harishchandra is an epic based on the mythological King Raja Harishchandra who was renowned for upholding truth under any circumstance. So much is his resolve that Harishchandra and his family are sold into bondage and separated.

Timmarusu the prime minister in Krishnadevaraya's court, is envied by Hamvira, who hopes to overthrow him. After being falsely accused of attacking the king, Timmarusu must prove his innocence.

Eight unsuspecting people stumble across a bathing woman -- but she's no mere mortal, she is a mighty goddess. The goddess is angry when she learns she's been spied upon and, in a rage, uses her powers to curse the peepers and take away their wisdom. But the only way the poor fools can restore their smarts now is to visit the wizened sage Paramanandaiah -- a man they may no longer know how to find.

Laila Majnu is a 1962 Malayalam language romance film directed by P. Bhaskaran and starring Prem Nazir, L. Vijayalakshmi, Sathyan, Thikkurissi, T. S. Muthiah, Chandni, Adoor Bhasi and Kodungalloor Ammini Amma. It was the first Malayalam version of the classic Sufi legend filmed extensively in Hindi and other South Indian languages. The film's acclaimed music is composed by Baburaj.

A landlord's son and a farmer's daughter fall in love and marry secretly in a temple. Since their love is not accepted by the families, they are forced to separate while their child grows up in an orphanage.

A happy-go-lucky guy falls in love with his professor's daughter. Although his brother supports him, his financial situation forces him to make many sacrifices in life.

Jayachandra, a prince, falls in love with Sundari, a tribal girl and they end up getting married. However, they are separated by Vahini, a heavenly dancer, who is attracted to the prince.