Eiichi Tsuyama

Yoshiko Mita and Masahiko Tsugawa enthusiastically perform a couple who know each other’s affairs and affairs and still do not part with each other even after various emotional conflicts. A work that is highly supported by women.

When a mother with an unexpected origin is held hostage by the Vader Clan, the Denziman must come to her rescue.

In 1979 Toei president Shigeru Okada saw the future. More precisely, he saw Walter Hill's The Warriors in the US prior to its Japanese opening. Okada rushed back to make his own version. "Towards the 80! Our era! Now filming!" the trailer exclaimed. The plot is roughly the same as in The Warriors except this time the chased gang has to make it from Kobe to Tokyo and the leader's got the enemy's sister handcuffed to him. Hardly great cinema, but undeniably entertaining with frantic pacing, loads of music and even a massive roller blade street chase! As a vision of future, it wasn't too far off if the future was defined as 80s rock, bad fashion and comic book films.

Mysterious incidents occur around geiko in Fukagawa, and there is always the presence of a black cat at the scene of the tragedy. The woman, unaware of her presence, is pulled away by the banya, but a ronin, pretending to be a bouncer of the geisha district, appears and saves her, finally unraveling the fate of the woman.