Bert Delaney

In the home of the stalwart young son and his mother, the girl rescued from the sea grows strong again after her fearful exposure. Her attractiveness, so different from that of the fisher maidens, has a telling effect on the young man. He asks her, at length, to become his bride, and she accepts. But a few days before the wedding the affianced bride disappears, sailing away with a strange man from the city, who has suddenly appeared. Thinking that his sweetheart had deserted him for another, the fisherman is heartbroken for a time, but gradually the keen edge of his sorrow wears away, and he succumbs to the attractions of another girl, one who had recently come to the village with her father, and who had lived together and alone at the end of the town.

Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)

Clarissa spins the tale for her children of how when she was a young girl, she was the belle of the small town of Cherry Pit Siding. Winning the title of “the most popular young lady” at the annual fireman’s ball she is awarded the prize of a beautiful calf. Loved by artist Josh Jiggers she poses for a painting to be known as "Clarissa's Charming Calf." Unfortunately for the lovers New York variety manager Omar Commerstein espies the portrait and yearns to make Clarissa a roof-garden attraction. When she spurns him, he takes desperate measures to ensnare her but thanks to the efforts of Josh and the firemen the villainous manager and his confederates are soon thwarted. Reunited Clarissa and Josh marry.

The wealthy, greedy publisher Mr. Meeson exploits the writer Augusta Smithers. After a shipwreck, Meeson has his dying will tattooed onto Augusta's back before he dies, setting up a dramatic legal battle in England over his fortune.