Dietmar Obst

A young woman does everything she can to catch the eye of her chosen one. In the end, she even goes into the water - wearing a diving suit. A cheerful underwater love story for GDR television, which also casually promotes the diving section of the pre-military Society for Sport and Technology in the GDR.

You don't play with crocodiles. Two people on a stroll at the end of an night, at the end of the Berlin myth of Prenzlauer Berg: they are sexy, they are young, they are forlorn. It could be a wild summer. There will be two happy days in Berlin. The movie tells the tale of a place, the tale of a love, the tale of longing for a new beginning. More than an extraordinary independent movie, a universal big-city novel which could, without that affectionate local color, take place in every metropolis. Exodus or exitus: 'Tenerife EXIT' plays between and with them both.

When Angelika moves to Leipzig, she is forced to rent a room at Mrs. Häublein’s for a start, since her parents will not follow until a few months later. Fellow tenant Thomas, a philosophy student, is not at all enthused about his new, pretty housemate. Because of Angelika he has to move into a smaller room. Furthermore, he is annoyed at her many male acquaintances, without sensing that his aggression might be prompted by jealousy. When Angelika’s father comes for a visit, he asks Thomas to keep an eye on his daughter. Thomas takes this assignment very seriously and finally realizes that he has fallen in love with Angelika.

Fritz Schmenkel, a farm worker and soldier in the fascist Wehrmacht, deserts in Belarus in 1941. He wants to survive, makes his way to Russian farmers and comes into contact with Soviet partisans who, after long interrogations by the German teacher and current partisan Miron, take him in as one of their own. Schmenkel proves his reliability in a number of daring actions and is awarded the Order of the Red Banner. In the winter of 1943/44, he is given a reconnaissance mission and falls into the hands of the fascists in Minsk. After days of interrogation, which he withstands, the Nazis execute him.

Four directors - four styles - four episodes, all relating the events of a single night which has entered the history books: August 12-13, 1961. There are thousands of complex narratives connected with the frontier drawn through the middle of Berlin, and each episode relates the story of a difficult decision made on that night...

Maria is a record saleswoman by profession. She is lucky to have a job, because the year is 1930 and a major economic crisis has hit the world, accompanied by an army of unemployed people, especially in Germany. Maria is aware of her good fortune; in order to secure it, she has to do without many things. What business owner would employ an unmarried woman with a child in times like these? When Maria became pregnant, she, like many other women, had to become "active" and do something about this "misfortune". So she seeks "help" from a female doctor, trusting in her youth and hoping for better times when family happiness could come true for her.

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Six episodes taking place the night the Berlin Wall came down.

Ulf would do anything to win Biggi's heart. Because he wants to impress her, he decides to join the sailing club. Despite the mockery of his friends, he is not dissuaded from his plan and spares no effort to make an impression on his beloved. But she only gives him the cold shoulder, whereupon he manipulates her boat. As a result, Biggi ends up in last place in an important regatta race. Both are threatened with expulsion, which is why they have to pull themselves together.

Ten-year-old Lutz Paschke, son of detective captain Paschke, is an enthusiastic but often overzealous detective. He roams his town with his basset hound Pinkus and thinks he can spot crimes in mostly harmless incidents. Every now and then, his father is called by him to a supposed crime, so Lutz thinks he has seen a murder, which turns out to be a clumsy attempt to kill a carp. Father Paschke is annoyed, especially as Lutz's actions repeatedly put him in embarrassing situations. So when Lutz receives an anonymous letter with cut-out letters announcing a crime at the old mill on Friday evening, he doesn't tell his father.

His passion for hunting almost spells doom for the sales manager of a GDR convenience store: his ambition to shoot a big buck just before the start of the closed season leads him to fall for a joke played by his son. He has tied horns to a prize-winning breeding goat, leading the hunter on the wrong track. While he tries to cover up the incident, there is a great deal of excitement in the village; resentment and schadenfreude arise, intrigues are played out and village gossip makes the rounds.

This comedic musical tells the story of Gabi, a young hairdresser from the Baltic coast who desperately wants to be a jockey. One day, she packs her bags, drives to Hoppegarten, and is soundly rejected by the head coach. Gabi doesn't want to give up, and in order to at least have a roof over her head, she rushes into a marriage with the seemingly nice Freddie. However, this marriage soon proves to be her second rejection, as Freddie openly dislikes the fact that she wants to be a jockey.

Civil engineer Berger is looking for his mother and learns that she has died and was last in a home run by the notorious construction company Huberty. When the company boss Huberty becomes the victim of an assassination attempt shortly afterwards, suspicion falls on Berger, but Huberty's death is linked to the fraudulent bankruptcy of the construction company. The boss's wife is found to be the culprit. An unpleasant surprise awaits Berger, a civil engineer from Hamburg, when he returns home after years of working in Mexico: his mother has disappeared. Her tracks are lost in a "retirement home" run by the Huberty Society. Berger suspects that his mother has been the victim of a crime. He hunts a murderer and becomes the hunted himself...

In spring 1946, Warsaw historian Wojtek arrives in a Polish provincial town to study the Renaissance. He soon becomes entangled in the fierce postwar power struggle between the Soviet-backed People’s Government—nationalizing industry and land—and reactionary exiled forces waging “bandit terror,” from train robberies to political assassinations. As violence escalates, Wojtek shifts from observer to active defender of the new “people’s power.”