Jiang Ming

'Golden Eagle' is crowned wrestling champion at the Aobao Meeting, but subsequent conflicts break out between Glden Eagle and the Lord of Ba-yin. Expelled from the tribe, he meets and falls in love with San-Tan. But their affair arouses the jealousy of her suitor Chaganhu.

An imprisoned swordsman is accused of killing three men. He probably would have already been executed for his crimes but is kept alive because he knows the whereabouts of hidden gold.

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The story was liberally adapted from a short sequence in the popular Chinese folk tale Journey to the West. Princess Iron Fan is a main character. Specifically, the film focused on the duel between the Monkey King and a vengeful princess, whose fan is desperately needed to quench the flames that surround a peasant village.

Hong Kong adaptation of Lao She's novel RICKSHAW BOY.

The first Hong Kong-made Huangmei opera film.

Jiang Danping arrives in a city at night, where often a mysterious man causes panic.

During the Taiping Rebellion of the mid-19th century, anti-Qing (Manchu) Chinese forces led by Taiping commander Li Xiucheng march on Shanghai. Although the Western powers are officially neutral, the British consul in Shanghai sides with the Qing imperial government, and counter to his own government's policy he retains American adventurer Frederick Townsend Ward to raise a mercenary force of foreigners in Shanghai and oppose the Taipings. Ward's force is routed, with heavy casualties, but since many of the casualties are British, the British army soon is drawn in on the side of the Qings. The only support for the Chinese comes from Japanese in Shanghai and anti-imperialist demonstrations in Japan. A family drama plays out against this historical background. After a Chinese home is destroyed by careless British shelling, killing the father and crippling a daughter, the surviving son vows revenge but begins to see that his true friends may be the Japanese.

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhen Fei.

Set during the Orphan Island period of Shanghai, the film follows a group of revolutionary patriots-cum-assassins who finally earn the support of the suffering public. ‘We’re all Chinese,’ so they repeatedly chant.

During the Wanli period of the Ming Dynasty, the famous general Qi Jiguang was slandered by eunuchs, which led him to retreat into the forest. He went to the capital in order to take martial arts exam, but after failing he did not have a plan what to do.

This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.

Adapted from Guy de Maupassant's "Boule de Suif", this satire-cum-thriller transposes its backdrop to wartime China. On a bus crossing a checkpoint, a pretty girl coveted by a Japanese officer sacrifices herself to aid the patriotic cause against the enemy.

Live action adaptation of Snow White fairy tale.

A scholar falls for a beautiful maiden whom he invites to stay with him, but she is not what she seems to be...

A young woman falls in love with her university classmate but her father is against it. She disappears and soon there are rumours that her spirit haunts her family’s villa.

Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.

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A young girl returns home to find her mother killed and her village slaughtered.

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A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.

Hong Kong comedy film.

The life and story of Lin Zexu and the First Opium War.

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The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

A diamond flower from the rich merchant Sun was stolen, his neighbors gathered a detective group to solve this problem.

In order to avoid young women being selected to enter the imperial palace, the parents hastily arrange marriages for their unmarried daughters with men they deemed suitable.