Thiago Soares

Yolanda Sonnabend's Faberge'-inspired designs evoke a world of Imperial Russia in Anthony Dowell's acclaimed production for The Royal Ballet of 'Swan Lake', one of the world's best-loved ballets. Marianela Nunez as Odette/Odile and Thiago Soares as Prince Siegfried bring new vitality to a compelling story of tragic romance. Valeriy Ovsyanikov conducts the Orchestra of the Royal Opera House in Tchaikovsky's glorious romantic score.

Ravel's work was choreographed by Frederick Ashton for a staging by Sadler's Wells Ballet (now The Royal Ballet) at Covent Garden on 5 April 1951, with Margot Fonteyn as Chloe and Michael Somes as Daphnis; decor was by John Craxton.

Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.

Principal Dancer is a mesmerizing look on how a young artist's journey is defined by his ability to challenge his own limits and to reinvent himself. Brazilian hip-hop performer turned into Royal Ballet's principal dancer Thiago Soares unveils the backstage of the Royal Opera House, in London, as he rehearses alongside some of the most outstanding names in contemporary dance - and prepares to go back home, in Rio de Janeiro, where he'll face one of his life's most challenging presentations.

Royal Ballet Principal Natalia Osipova dances the title role in Kenneth MacMillan’s haunting ballet, to atmospheric music by Tchaikovsky and Martinů. Anastasia tells the story of Anna Anderson who, following the Russian Revolution and the murder of the royal family, claimed she was the surviving Grand Duchess Anastasia. Many believed her to be an imposter; others hoped she was Anastasia, a remnant of a lost world. A powerful, psychological challenge for the lead dancer, Anastasia explores one of the great historical mysteries of the 20th century, only recently solved, and the distorting mirror of memory, time and place.