Valentina Naforniţă

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Zimmer entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers. He soon began to work on several successful solo projects‚ including the critically acclaimed A WORLD APART‚ and during these years Zimmer pioneered the use of combining old and new musical technologies. Today‚ this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.

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The classic opera about falling into and out of love, friendship, and loss. Mimi and the poet Rudolfo, the painter Marcello and Musetta are the lovers; the musician Schaunard and philosopher Colline round out the set of friends living life rather close to the edge in Paris' Left Bank.

Maria is a woman living with her son Marinel in a Moldovan village while waiting for her husband, who works abroad. The arrival of Felicia — her childhood friend and a soprano now living in Vienna — and Felicia’s husband Mario, disrupts the fragile balance of their quiet world.

A village somewhere in the Italian countryside, a wayside inn on a road crossed by the occasional dog. Nothing more. Laurent Pelly’s production presents a deserted landscape in which the turbulent arrival of Doctor Dulcamara causes a sensation. And with good reason! He is said to be the inventor of a mysterious love potion… In opera, love philtres often provoke terrible tragedies. They also provide the pretext for this gentle comedy in which Sergeant Belcore and the timid Nemorino vie with each other for beautiful Adina’s heart. The stage is set! Bring on the music, which, if we are to believe Donizetti, was composed in a fortnight!

How faithful are women really? That is the question that Guglielmo and Ferrando ask themselves in Mozart’s comic opera Così Fan Tutte. To answer it, they put their fiancées to the test by pretending to go off to war and a short time later returning in disguise with the aim of seducing each other’s betrothed. Fortunately, the Opèra de Lausanne has no time for such moral grandstanding. This new staging of Così is Jean Liermier’s second production for Lausanne after his My Fair Lady in 2015. Joshua Weilerstein, artistic director of the Orchestre de Chambre de Lausanne, pilots the orchestra through Mozart’s colourful score with Stéphanie Guérin (Dorabella), Robert Gleadow (Guglielmo), Valentina Nafornita (Fiordiligi), and Joel Prieto (Ferrando) in the roles of the tried and tested lovers.

Director Sven-Eric Bechtolf pulls off a brilliant coup with the high aesthetics of his intrigue, a masterful parody of the "everything is possible" of our time - flanked by an ensemble of exquisite vocal talents.