Carlos Álvarez

For the first time since the 1904 La Scala premiere, Riccardo Chailly restores Puccini's original two-act version to the La Scala stage.

"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.

Mozarts Don Giovanni, in the beautiful staging by legendary Franco Zeffirelli is a spectacle with a strong aesthetising component, a feast for the eyes. In this production Zeffirelli returns to a representative Super classic line, renewing the complex mechanisms of almost all his other productions (Il corriere musicale) with beautiful classic costumes by Maurizio Millenotti and lights by Paolo Mazzon (L'ape musicale). Carlos Álvarez is of beautiful voice (GP Opera) and presumably todays best Don Giovanni (L'ape musicale) while Irina Lungu is one of the best lyric sopranes (L'ape musicale). Donna Elvira, being sung by Maria José Siri was clearly and advantageously represented by her mellow and beguiling voice. (MTG Lirica)

Mozart’s Don Giovanni returned to Teatro alla Scala in October 2006 in a new production directed by Peter Mussbach, who also designed the sets, with Gustavo Dudamel conducting the orchestra and chorus. Blending psychological intensity with stark, contemporary theatrical imagery, the staging explores the darker dimensions of Mozart’s drama of seduction, power and moral reckoning. Carlos Álvarez stars as the defiant libertine, with Ildebrando D’Arcangelo as his resourceful servant Leporello, alongside Anna Samuil as Donna Anna, Francesco Meli as Don Ottavio and Monica Bacelli as Donna Elvira. A co-production with the Staatsoper Unter den Linden in Berlin, this interpretation brings fresh dramatic tension to the timeless story of a man who refuses to face the consequences of his actions.

Mozart’s Le nozze di Figaro returned to Teatro alla Scala in 2016 in a new production directed by Frederic Wake-Walker and conducted by Franz Welser-Möst. Created to mark the 225th anniversary of Mozart’s death, the staging offers a fresh perspective on the composer’s celebrated comedy of love, deception and social hierarchy. Antony McDonald designed the sets and costumes, framing the intricate intrigues surrounding Figaro and Susanna’s wedding. The international cast features Markus Werba as Figaro, Golda Schultz as Susanna, Diana Damrau as the Countess, Marianne Crebassa as Cherubino, and Carlos Álvarez or Simon Keenlyside as Count Almaviva.

La del manojo de rosas, the Teatro de la Zarzuela's most emblematic and popular production, turns 30 years old. At its premiere in September 1990, it was very well received by the public and critics, and has continued to be so during the last three decades. Several generations of singers, artists, technicians and the public have enjoyed what is now Sorozábal's best-known zarzuela.

Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.

Operetta in two acts. A production by Teatro Arriaga de Bilbao, co-produced by Teatro Campoamor de Oviedo, Teatro Calderón de Valladolid and Teatro Español de Madrid.

Rigoletto is the sharp-tongued jester of the Duke of Mantua, himself a notorious womanizer. As the Duke begins to seduce Rigoletto's daughter Gilda, the jester must realize that it is not within his power to protect her. What follows is an epic story of betrayal, revenge, and above all, love. Director Oliver Mears turns Verdi's masterpiece into a modern drama about morality, where in a decadent world full of corruption and depravity, power stands against innocence. Antonio Pappano conducts a stunning ensemble featuring a fascinating Carlos Álvarez in the title role, Lisette Oropesa as the incomparable Gilda, and tenor Liparit Avetisyan as the Duke of Mantua.

A famous singer lives only for art and love. But when she finds herself caught in a web of politics, corruption, lies and lust, she is forced to make a terrible choice. To this day, Tosca is one of the most popular and ageless operas. With its cinematographic pace, abundant leitmotifs and massive orchestrations, Puccini renewed and transcended Italian melodrama and the verismo genre. Sondra Radvanovsky, Joseph Calleja and Carlos Álvarez lead this operatic thriller in the midst of a revolution, under the direction of Paco Azorín and the baton of Nicola Luisotti.

Cio-Cio-San, the young Japanese bride of American naval officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her son, Dolore, see Pinkerton’s ship in the harbour. She excitedly awaits his visit – but when Pinkerton and his American wife Kate arrive and learn about Dolore's existence, they ask to take the boy away, and raise him in America. Cio-Cio-San bids her son farewell and takes her own life.

High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.

The cast is a dream team wrote the Financial Times after the premiere of this production of Verdis La forza del destino at the Wiener Staatsoper. Topping the list is Nina Stemme, who gives a full-blooded portrayal of Leonora. Passionate forceful readings are also provided by Salvatore Licitra as Alvaro and Carlos Álvarez as Don Carlo. Zubin Mehta leads Staatsoper Orchestra with agility, subtleness and relaxed mastery, and right from the start David Poutney establishes an atmosphere of entrapment by fate. With the aid of a bizarre, unforgettable stage construction, the acclaimed director finds an ideal setting to illustrate the merciless powers of chance and destiny.

American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times).

No description available.

Lluis Pasqual's powerful production for the Spanish capital sets Da Ponte's timeless story of sleaze and seduction into the dark world of 1940s Spain. Carlos Álvarez, in the title role, toys with the affections of Donna Anna, Zerlina and the Spanish lady Donna Elvira, before his overpowering methods finally bring his own destruction.

Filmed production of the 2016 Scala production of the famous opera.

First seen in Naples in 1827, this farce of a “theatre within a theatre” narrates the mishaps of a second-rate opera company as it stages the great serious drama Romolo ed Ersilia in a provincial theatre. The unbearable tensions between the two lead singers are finally resolved with the decisive intervention of one of their mothers. The co-production by Ópera de Lyon along with the Grand Theâtre de Genève and Teatro Real is brought to life by Laurent Pelly, a tireless champion of Donizetti's comedies.

In the 16th century, in Cyprus, at the port of Famagusta, General Otello arrives with his ship after defeating the Turkish navy in the Mediterranean and securing Venetian rule over Cyprus, but jealousy, conspiracy and revenge lead to tragedy. ‘Otello’ is an opera in four acts by Giuseppe Verdi, with a libretto by Arrigo Boito based on William Shakespeare’s ‘Othello, the Moor of Venice’, and premiered on 5 February 1887 at La Scala in Milan. Taken from the ‘Tutto Verdi’ box set of 27 Verdi operas. Recorded live at the Salzburg Festival, 5–10 August 2008.

Wolfgang Amadeus Mozart's Don Giovanni is performed live at the Theater an der Wien in this 1999 production starring Carlos Alvarez in the title role and featuring the music of the Choir and Orchester der Weiner Staatsoper performing under the guiding wand of conductor Riccardo Muti.

"This is Vienna State Opera live at home". March 2015

No description available.