Ana Vilaça

1970 something. As the end of an era of repression approaches, a bourgeois family still in its bubble of power spends its vacation in a country house. The teenage cousins spend their days in indolence, interrupted by fits of hysteria. It will only take the introduction of an outside element for violence to erupt.

In the town of Entroncamento, violence, misfortune, greed, and loyalty rule the streets. Laura arrives there to rebuild her life, but the irresistible pull of quick money and crime immediately draws her back into a troubled past. For those she meets at this crossroads, every day presents the choice between who they were and who they might become.

Lisbon is the paradise lost where Eva finds herself imprisoned to an unwanted pregnancy.

Márcia is a social media pro and knows all the best poses and filters for perfect selfies. Her son Flávio helps her to take photos of herself. This is how she manages to hook up with famous rapper Da Reel Chullz on Instagram. She is not about to turn him down when he asks her out on a date – even if no one can be found to look after Flávio. A refreshing portrait of a single mother who knows how to work things out.

A film about the egocentric and superficial youth and the evermore consumerist society.

A team-building event goes wrong and brings the owner of an architect studio face-to-face with the lower-class neighborhood that his company is gentrifying.

Fragments of light and shade in the lives of a truck driver spiraling downward, his caring wife and their oblivious daughter.

A collection of three Portuguese short films by Ary Zara (Um Caroço de Avocado), Aurélie Oliveira Pernet (As Sacrificadas) and Pedro Cabeleira (By Flávio), which proposes different possibilities for being a woman nowadays.

The film explores a story about two childhood friends - Kate and Sarah - through the countless letters that Kate wrote many years later.