Sean Kearns

Archaeologist Fiona travels to Ireland to uncover a long-dead tomb. A threat is released and she will have to fight to keep her teenage daughter from falling under the control of The Morrigan, a vengeful Pagan War Goddess.

An Irish Catholic family returns to 1930s Limerick after a child's death in America. The unemployed I.R.A. veteran father struggles with poverty, prejudice, and alcoholism as the family endures harsh slum conditions.

Trapped in a lonely existence, reclusive widower Roy passes the days by cold-calling strangers from the phone book, looking for brief moments of companionship. But when he accidentally calls adult hotline worker Cara, an unlikely friendship is born that will help them both rediscover the joy of life.

After losing her beloved father, Helen finds herself saved by an unlikely friendship with a stubborn hawk named Mabel. Through the bond, Helen rediscovers the beauty of being alive.

A 1980s popstar receives a surprising invitation to perform, pulling him out of musical retirement and into a moral dilemma.

A former Irish Republican Army fighter, Gingy McAnally (Anthony Brophy), is reluctant about being called back into service after serving time in prison. He executes the grisly task but ends up captured by a sympathetic British police lieutenant named Ferris (Cary Elwes). The intimidating Chief Inspector of the Belfast Police (Timothy Dalton) convinces Gingy that his best hope is to become an informant and turn in other IRA operatives. As Gingy's marriage unravels under the stress, he is forced to come to terms with the fact that in this war both sides lose. Three men, three political circles, each fighting for their lives, each with their own agenda in the battle for Northern Ireland.

Spike Milligan's book about the divided Irish village of Puckoon comes to the big screen.

Conn, a member of the IRA and a former hunger striker, is serving a life sentence for murder. During peace talks, he is released on a 24-hour parole and uses the time to search for his girlfriend Leyla’s killer. He finds only lies and intrigue surrounding her death, and he begins to realize that his lover was not what she seemed.

In the beginning skate and snowboard videos were, for the most part, simple displays of talent. The Whiskey videos changed all that. No it wasn't because of flashy editing, top industry pros, or huge production budgets. These videos were made by a couple of third rate pros. All they had were a few shitty cameras and enough gas money to get to Whistler.