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Accumulating money through usury and self-denial is Harpagon's passion and ostentatiously displayed purpose in life. He loves money more than his good name, honor, and dignity. His wealth is more important to him than his own children. He plans to marry his daughter Eliza off without a dowry to an aging rich man, his son Cleante to a wealthy widow – and he himself has chosen the beautiful young Mariana as his bride, regardless of the fact that his son is in love with her. And this is only the beginning of the hypocrisy, deceit, and manipulation that develops in his family and among his servants under the influence of Harpagon's miserliness...
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The district town is reeling from the murder of a well-known local businesswoman. She was found dead one morning, dressed in a revealing costume in a dentist's office. The investigation is entrusted to a pair of detectives, Commissioner Petr Brouček and Commissioner Jaroslav Falta. It is up to them to solve this complex case, which involves a number of well-known local figures and revolves around a local luxury gentlemen's club.
The popular Moravanka brass band performs at the fair. Vasek Pivoňka, the bandleader of the local brass band Kulatěnky, which broke up, decides to put the band back together. The village musicians are sceptical at first, but later they start rehearsing with vigour. Standa, a Prague resident who is working in a pig farm to cure his nerves, helps them to organise the concert. He really likes Evica Kocourková, but her father keeps an eye on her. Young Šišák tries to charm the teacher Olina. Before the performance can begin, the band must succeed before the cultural committee. However, they fail to do so. The disappointed musicians play for themselves at the station and suddenly they are successful. Standa comes up with an idea how to push Kulatěnka through without the permission of the commission. A concert of Moravanka is being prepared in nearby Nechvalin.
Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.
Story of a high-schooler who fails to gain a place at university and necessarily finds herself having to take a job behind the counter at a buffet.