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Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a young geisha.
A passionate young man takes on a corrupt boss, determined to save innocent teachers and numerous orphans.
Period film about a feudal era judge living in Edo
Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.
Chubei, the adopted son of an Osaka courier, falls desperately in love with the courtesan Umegawa. To prevent a wealthy client from purchasing her, he steals money from his employer to buy her freedom himself. Now hunted criminals, the lovers flee toward Yamato, pursued by the law.
The Shinsengumi is a special unit of ronin commissioned by the Tokugawa shogunate to counter anti-shogunate activities in Kyoto. A sinister plot to overthrow the shogun is set in motion and Kondo Isami and his fellow samurai must answer the call and expose those behind it.
A master hunter is driven to defiance after a tyrannical magistrate's cruelty pushes his community to its breaking point. His expert skill with a bow becomes the rallying point for a group of oppressed peasants and prisoners seeking justice. Together, they stage a fierce, collective uprising to storm the local stronghold and overthrow their corrupt rulers.
Kinnosuke of Toyama sets out on a private mission to clear his father’s name for a crime he did not commit.
Featuring some of the finest swordsmen ever to grace the silver screen, this Toei classic tells the story of a battle between the evil sword style called ”Otonashi” (The Silent Form) and the proper way of swordsmanship as promoted by such historical stalwarts as Shimada Toranosuke, and the mysterious Honda Sakon, who face off against a group masquerading as the lord of Mito and his traveling bodyguards Suke-san and Kaku-san. The plot thickens as their leader unveils his secret plan to disrupt the stability of the nation. It is all in the name of swordsmanship, and as the title implies there are no stronger swordsmen!
Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.
Each one of us lives differently. So, there are many tragedies and comedies in our lives. She feels many conflicts in living her life between truth and love.
1956 Daiei movie
Tasuke stumbles across Kokichi, a distraught man whom having lost his fiancee to Lord Kawakatsu is ready to commit suicide. Tasuke learns that Kokichi's fiancee, Otoyo, was a chambermaid whom Kawakatsu abducted in order to make her his concubine and Tasuke feels compelled to right this wrong. Meanwhile Kawakatsu is dealing in black-market lumber and receiving kick-backs but unbeknownst to him he is under investigation by Lord Izu, one of the Shogun Elders. Will Tasuke be able to rescue Otoyo from the clutches of Lord Kawakatsu and can Lord Izu put an end to his money hungry evildoings.
A girl from a tenement house was abducted in broad daylight, right in the heart of Edo.
In 1842, in the Umemoku Mansion within Hikone Castle, Naosuke Ii, despite the tumultuous times, was engrossed in the world of tea ceremony. His friend, the Kokugaku scholar Nagano Shuzen, introduced him to a captivating shamisen master named Murayama Taka. Naosuke became deeply infatuated with her, disregarding the jealousy of his consort Shizu and the warnings of his senior retainer, Gaiji. However, upon discovering Taka's relationship with Shuzen, Naosuke promptly ended his ties with her.
During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!
A President of the confectionery company announced his retirement, and his sixteen year old granddaughter, Madoka was ordered to be a new head. But Madoka wants to be a stage dancer, so she won't concentrate her office job. Madoka meets Akiyama, a stage director. Akiyama introduce her to his neighbors. In among poor but open minded people, Madoka has changed. Her new ambition is her company provide nice sweets for children. She decide to focus on the office job. But she doesn't know that company executives has conspiracy against her...
A film about the Ghost of Okiku that's based on the kabuki play Bancho Sarayashiki.
Detective Umon investigates a wave of counterfeit money in Edo linked to the murder of a mint official. His search leads him to a mysterious shape-shifting woman and uncovers a massive conspiracy by corrupt officials trying to replace government funds with fake currency. Umon ultimately exposes the mastermind and solves the case.
One of the great stories from Japan’s rich history comes to life in this true tale of the bloody showdown between two rival yakuza gangs in the 1840’s. The battle between Boss Sukegoro of Iioka and Boss Shigezo of Sasagawa has been portrayed many times, most notably in the first Zatoichi film, where the blind man befriends the tubercular ronin Hirate Miki, before cutting him down in one of the great duels in cinema history. This all-star extravaganza pulls out all the stops, with appearances by virtually all of the great actors and actresses from Toei’s studio at the time. Ichikawa Utaemon’s portrayal of the kind-hearted, noble yakuza boss Shigezo of Sasagawa contrasts sharply with the devious Sukegoro of Iioka. Corrupt as he may have been, his men were all willing to give up their lives for him.
Akitaro Orizuru, who set out on a journey to avenge his father's death in the darkness, returned to Itako, his hometown, where the Ayame Festival was approaching, for the first time in five years. His late father's brother, Sutezo, who took off his waraji, runs a small prostitute with only one child, Sutematsu. In addition, only Shigezaburo, who left a mark in the middle wind, was ill-mannered by Inomatsu. Akitaro was accompanied by a daughter named Omitsu on the way to here, but she was Ura's younger sister who works at Fujikura's house, and the villagers worked on the fifty cars to meet her critically ill father.
Japanese comedy film.
Kondo Isami, the “Devil” commander of the Shinsengumi was one of Japan’s greatest national heroes and a peerless swordsman who devoted his life to protecting the shogun and fighting on the side of the Tokugawa. This tells the story of the Shinsengumi starting at the moment of their greatest triumph through the final battles as the Tokugawa shogunate was brought down.
A ghost story about a woman who dies a violent death and appears to the man she loves as a vengeful spirit. This film marked the turning point in Daiei's shift in emphasis from thrillers to ghost stories.
Two guardians of the Nijo Castle, Shioya and Kamazawa, discover a map leading to a secret passage to Edo Castle. Instead of reporting their find to local authorities, they decide to blackmail the lords who created the forbidden passage. To prove their crime, Magistrate Toyama Kinshiro launches a private undercover investigation.
Aoi Shingo, a son of the Shogun, continues his travels seeking to further his mastery of the sword. In this final episode of the popular “Shingo’s Original Challenge” series, Shingo confronts his master’s killer in the ultimate test of his skill.
The final film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.
A power struggle in the fief of Okazaki causes the death of Namiji, a nobleman's daughter. As her fiancé seeks revenge, he finds Namiji's cat helping him, along the Fifty-Three stations of the Tokaido Road. Co-starring Shintarô Katsu and Takako Irie.
The year is 1805. Napoleon ruled Europe. Ienari is the 11th Tokugawa Shogun. An incident, which was an open official secret, took place on the foothills of Mt. Fuji. Fearing attacks from within and without, the Shogunate planned to build a training castle utilizing the most advanced techniques. Two master castle architects, Sato Kikutaro and Kumai Hakuten, were selected to compete for the honor of building this castle. Lord Mizuno Dewa has even ordered the townspeople to assist both sides with their land surveys and preparations. This leads to fear on the part of farmers that their land will be taken away from them, and sets off a series of events which rock the nation to its very roots. With an all-star cast, this is an important story with relevance to current times. One of Ichikawa Utaemon's finest performances, a true classic!
In the 9th year of the Tempo era, after a long sea voyage, Moritaya Seizo returned to Hirado, who earned huge amounts of gold by piracy. Along the way, he picked up Ichinojo Kaneko, a Ronin who survived the disaster at sea. Seizo and Orin, the daughter of merchant Yohei, are in love with each other and want to get married. However, Kashiwakura Gaiki, the samurai of the domain, wants to kill Seizo for the sake of his son Shozaburo, who is in love with Arin, and Kurando Matsuura, the owner of the castle, wants to seize all the gold for himself...
Film adaption by Kenji Misumi
Based on the novel by Shofu Muramatsu, the film is dedicated to the actors of the renowned Japanese Kabuki theatre. Set in Japan in 1885, the story follows Kikunosuke Onoe, the adopted son of a famous Kabuki actor. Kikunosuke’s father teaches him professional acting skills, preparing him to become his successor and continue the acting dynasty. However, Kikunosuke leaves his family, much to his father’s dismay, to hone his craft outside of Tokyo and moves to Osaka.
Umon’s services are called upon when innocent bystanders, Kayo and Minokichi, along with the ronin, Gontaro are mistakenly identified as suspects in several recent murder cases. To prove their innocence and uncover the truth, Umon launches his own investigation.
1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.
A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.
Hatamoto Ooka Gentaro was deeply committed to a future with a beautiful girl named Omachi, a relationship facilitated by his love of the shamisen. Omachi was stalked by a ronin named Akiyama Kanosuke, and at one point, Gentaro and Akiyama dueled at Matanuiyama, but the confrontation was left unresolved when Omachi, sensing urgency, called the authorities. Meanwhile, Gentaro's uncle, Kii-no-kami, concerned about Gentaro's whereabouts, ordered him to investigate a conspiracy by Tachibana Tadama, a tyrannical director of Hachijo who exercised his power oppressively in Shimousa Iioka. Gentaro attempted to leave on a journey with Omachi but was obstructed by his uncle's retainers.
Detective Hanshichi (Kataoka Chiezo) solves 3 mysterious murder cases. Great story and an impressive all-star cast, a must see!
The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.
In the mid-Tokugawa period, a conflict arose over the "Seiryū Himon," a secret document left by the former shogun Iesai, bequeathing the eighth shogunate to young Lord Manguro of Owari domain. This document became the center of a struggle between the current shogun, Yoshimune, and Manguro. Iida Daisuke, a member of the shogunate's secret intelligence group, the Kurokuwa Group, stole the document from Owari but was killed by Manguro's men. The document then fell into the hands of Yozakura Ogin, who had pledged her life to Daisuke.
Kataoka Chiezo stars as Murasaki Zukin, a mysterious hero of the people who helps those in need. Now under the rule of the evil Tanuma, the people look to Murasaki Zukin more than ever, to confront and punish those who bring misfortune upon the commoners. Will he be able to bring peace to the land? One of the greatest actors from Toei Studios, known mainly for his swashbuckling roles as powerful swordsmen such as Ryunosuke in SOULS IN THE MOONLIGHT, he appeared in 325 films both before and after the war, beginning with CHUSHINGURA in 1928, and including KUNISADA CHUJI in 1933, and DOKUGANRYO MASAMUNE. While best known for his swordplay, Chiezo really did not enjoy the action, but was able to use his menacing presence to stare down his adversaries. Although Kataoka Chiezo passed away in 1983 at the age of 79, he still has many fans today. This film shows him at his best.
A foot soldier from Tottori domain named Shirai Gonpachi showcased exceptional swordsmanship that even surpassed the domain's champion Honjo Sukehichi during a ceremonial match. Though Gonpachi was promised a promotion to samurai status due to his skills, Sukehichi's father Sukezaemon's intervention out of jealousy prevented this. In anger, Gonpachi killed Sukezaemon and, without realizing it, also mistakenly killed Tomoe, his lover's brother Tsushimo Uemon. Following this, he fled to Kyoto, seeking shelter at the "Murasa" inn operated by Uemon's aunt.
A story about a high school sophomore, Uzumi Keiko (Kyoko Kami), in a coastal Japanese city, Keiko’s coming-of-age story centers on her strained relationship with her mother and her entanglement in social misunderstandings at school. Her journey reflects postwar Japan’s evolving attitudes toward youth, gender, and family honor, as personal choices become public matters.
During the era of Tokugawa Ieyasu, one night a carver named Fujijiro was murdered. Immediately launching an investigation, Denhichi, accompanied by Otoshi and Take, toured the entertainment houses of Ryogoku. There, they discovered a connection between an acrobat and the incident. On their way home, Otoshi unexpectedly encountered an old friend, Inosuke, nervously buying a dagger. Inosuke, a clerk at the Kashimaya store, was in love with Oko, a secret lover of Bunzaemon. Amidst this, Seihei, the head clerk, was murdered by someone, and a dagger belonging to Inosuke was found at the scene, leading Gohei to suspect Inosuke as the culprit. However, Otoshi was hiding Inosuke. Driven by Otoshi's plea and a professional instinct that Inosuke wasn't the perpetrator, Denhichi desperately searched for the real culprit.
Aboard a ship connecting Kyoto and Osaka, Osan was pickpocketed by a sham blind biwa player. A man who looked like a merchant retrieved the wallet for her. Osan was a woman being sold off for the sake of her yakuza-like brother, Nin'kichi. The man in the guise of a merchant turned out to be the Rat Thief, Jirokichi, the infamous thief of Edo. Due to this chance encounter, the two ended up staying at the same hot spring inn. However, one morning, as Jirokichi was about to leave alone, Osan, with the intuition of a smitten woman, confessed she knew he was the famed Rat Thief.
Toyama Kinshiro, a commissioner from northern Edo, goes undercover to unravel the mystery behind a series of murders. Kinshiro, played by Kataoka Chiezo, is most famous for the cherry blossom tattoos on his shoulder which he reveals at the moment of judgement.
Third in the Nage utasamon series
The time was the first year of Keio (1865). Upon hearing the news that the Imperial Army was approaching Hida Takayama, the district head Shimizu Uzen fled to Edo. Local officials like Yoshida Bunsuke and Yoshizumi Hironoshin showed their allegiance by welcoming them. The commander at the time, Umemura Hayami, was a former member of the Tengu Party and had previously been pursued in the town. He took refuge in a restaurant named Kabuya, and owing to a tip-off from a woman named Oraku, he was almost captured for her lover, Yoshizumi. Oraku and Yoshizumi probably feared revenge from that previous encounter, but Umemura had come back to Hida because he couldn't forget Oraku.
In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.
On March 11 in the seventh year of Tenpo (1836), a monk named Bennō, who fell in love with a geisha named Oshima, was publicly exposed at Nihonbashi for committing an illicit act with a woman. While this was happening, an extravagant procession led by another monk named Nikkei passed over the bridge. Nikkei, the head of the Kanouin temple, in collusion with Nakano Harima-no-Kami, had schemed to make his younger sister, Miyoshi, the Shogun's mistress and aimed to transform Kanouin into the Shogun's family temple. To fund the renovations, Nikkei accepted bribes from a corrupt merchant named Koya Bunzo.
The story follows Keiko, a dancer in the "Maiko Odori" theater in Kyoto, who tries to climb the social ladder in a world driven by money and self-interest. She becomes involved with wealthy men to pursue her ambitions but faces betrayal, exploitation, and is even accused of embezzlement. As she struggles to survive, her close friend dies from a heart condition, and her plan to marry a rich man fails. In the end, Keiko realizes the harshness of reality and decides to keep dancing despite the sorrow.
An all-star cast portraying the end of the Edo period as a commemorative film for the late Tsumasaburo Bando.
Famed detective Dandy Sashichi tries to solve who's behind the serial murders of six beautiful women under the aegis of local showman Ibaragiya. The film opens with the sextet humiliating a respected painter's portraits of them, driving the man to a suspicious suicide. Later, while celebrating his son's impending marriage into a wealthy family, Ibaragiya releases six pigeons from a pleasure boat, each with a rolled up drawing of one of the beauties tied to their legs. He offers a cash reward to whomever recovers the pictures, but they instead become death notices of which of the six are next to die.
One night in Edo, a mysterious woman in a palanquin appeared at the moneylender Yamashiroya, revealing herself to a beautiful woman. She told the owner, Shigebē, that she had come to collect a life he owed from twenty years ago and then left. The same night, Maruiya Genbē also received a visit from the woman's palanquin, and nearby, a man named Manbē was murdered. The detective Hayanawa Gohē concluded the murder was the work of a fox spirit, but another detective, Den Shichi, skeptical of this theory, noticed footprints on the tatami and decided to investigate further.
The phantom thief, known as the "Actor Kid", who was creating a stir in the Daimyo's mansion, especially in the inner chambers, was called Inaba Goutaro. He was the adopted son of a samurai, Inaba Buemon. An incident occurred where his foster father collided with the palanquin of the lord's concubine. In the subsequent altercation, Goutaro killed one of the attendants. Taking responsibility for the act, his foster father committed seppuku, and Goutaro was hunted down. Facing death, his foster father revealed to Goutaro that after the death of his biological father, Goutaro's real mother and his younger brother were forcibly made to serve a lord. This revelation ignited Goutaro's determination to infiltrate the Daimyo's mansion to meet his birth mother.
The feudal lord Kisaragi Yae no Kami (Minami Komyo) searches for a child he had with a low-borne woman, that was sent away from his home 16 years ago while carrying a special seal. At that time, Kanda's detective Zenshichi (Ichikawa Kodayu II) had three daughters, the third of whom, Omiyo (Misora Hibari), was a skilled singer and an expert with the lasso.
The first film in the Daiei series. At the command of Lord Aiba, Tange Sazen targets two famous swords owned by Onozuka Tessai.
Around the Genroku era, there was a man named Saotome Shusui-no-Suke, nephew to the senior councilor Matsudaira Sakon Shogen. He was commonly known as the Bored Samurai of the Hatamoto rank. Just as he was engulfed in boredom, Tokugawa Jo-Kaibo, claiming to be the Shogun's illegitimate child, made a grand entrance into Edo. At the behest of Sakon Shogen, Shusui-no-Suke was tasked to investigate Jo-Kaibo's background and had his young page Kyoya disguise as a woman to infiltrate Jo-Kaibo's gun mansion.
