Acting
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48 movies sorted by popularity
Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.
A handsome man and a beautiful woman who seek to restore the Toyotomi clan by taking in the orphaned Princess Tsuru.
A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.
Kayo (Kimie Shingyoji), who married Jingoro (Jun Eto) of the small-time goods dealer Kagamishimaya, is unable to even hug each other seven days after the wedding. Kayo (Kimie Shingyoji), who married Jingoro (Jun Eto), a merchant in a small house in Kagamiya, is unable to even hug Kayo even seven days after the wedding ceremony. One day, Jingoro suddenly dies, but a monk (Ichiro Arishima) appears to the grieving family and tells them that his soul has simply slipped away, and the next morning Jingoro wakes up as if nothing had happened. A few days later, Kayo follows the spirit that escaped from Jingoro again and arrives at the grave of Araji, where she sees Jingoro meeting with the spirit of a young girl. In fact, three years earlier, Jingoro had been torn apart by the daughter (Keiko Suzuka) of Miuraya, a kimono wholesaler, and they had tied each other's fingers together with string, slit their wrists, and thrown themselves off a boat.
No description available.
Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!
In 1863, when American warships approach Japan, an enigmatic ronin becomes an important figure in a complex game of power between the Shogunate and the empire.
Young Lord Takenaka stands to succeed his father until a series of violent actions lead his retainers to think that he has gone mad with blood-lust. Never offering any explanation, he continues his seemingly unprovoked attacks until he is sent away from his domain.
Oichi may have met her match as she vies against the evil beauty that has set her sights on destroying her. She must face numerous other challenges before confronting her greatest rival. While longing to live and love like other women, she realizes that she can never have a normal life, her sword which she holds on to like a security blanket will always come between her and such a life...
Akitaro Orizuru, who set out on a journey to avenge his father's death in the darkness, returned to Itako, his hometown, where the Ayame Festival was approaching, for the first time in five years. His late father's brother, Sutezo, who took off his waraji, runs a small prostitute with only one child, Sutematsu. In addition, only Shigezaburo, who left a mark in the middle wind, was ill-mannered by Inomatsu. Akitaro was accompanied by a daughter named Omitsu on the way to here, but she was Ura's younger sister who works at Fujikura's house, and the villagers worked on the fifty cars to meet her critically ill father.
A girl from a tenement house was abducted in broad daylight, right in the heart of Edo.
It's a story of the life of a man who advocated the necessity of sex education to children, which was unusual at the time, solely opposed to the amendment of the Peace Preservation Law, and was assassinated by a rightist prior to his opposition speech.
Kodaira Mochizuki has come from Edo to keep Horisoto secure.
During the Warring States era of early 17th century Japan, teenage princess Sen is besieged with other members of her family in Osaka Castle, by a rival force led by her grandfather.
A samurai is struggling to make ends meet at the end of the Edo period. He has students and, among other things, teaches them about the evils of the government. A member of the yakuza thugs has fallen in love with the samurai's daughter and conspires to report the father to the authorities in order to snatch the girl. The samurai's daughter has a boyfriend who hides the father and daughter from the thug.
A resolute young man searching for his mother, whom he was separated from as a child, defies a family who mistreat the poor and homeless.
Ishimatsu is strong in fights, but weak in relationships with women and enjoys great popularity among them, and we see how an exciting historical drama about love, enmity and friendship is played out.
During the Genroku era, Azusa Gennosuke, renowned in Nara as a top swordsman and a scholar, crossed swords with the Magistrate Kurobane Yatayu, who tried to force himself on Gennosuke's beloved foster-sister, Kikuno. As a result, Gennosuke's younger brother, Shichisaburo, was killed. Separated from his mother, Gennosuke found himself on the run from the officials.
Chuji Kunisada runs into strange adventures which tests his skill as a samurai as he untangles intrigue and murder against the backdrop of the majestic Mount Akagi.
During Ienari Tokugawa's period. Hanakurabe (a playful competition of poetry with flowers in this period) was held to please Shogun (General), and Shiroshobu of the Date family and Higoshobu of the Hosokawa family competed with each other. As a result, the Hosokawa family won and Yahei Tabuki of the Date family killed himself. At the funeral, a beautiful woman (Hibiko Maya) appeared in front of Yahei's son, Yazyuro (Tsuyoshi Kato). The woman said, "I am a woman of the Hosokawa family, and the person who killed your father" and left. To revenge father, he became "Hanaonmitsu" to make a better flower than Higoshobu.
Japanese life during the past thirty-five turbulent years is depicted in this film through the eyes of two police detectives. One is Henmi, who comes to Tokyo in 1926 from faraway Kagoshima to join the Tokyo police force. His closest friend is Nihei, a farmer's son from Tohoku who becomes the steadying influence on headstrong Henmi.
An early fantasy film starring Tomisaburô Wakayama.
Early jidaigeki by Tai Kato.
In the era of the twelfth Shogun, Tokugawa Ieyoshi, a notorious bandit known as "Shippu" (or "Swift Wind") emerged in Edo. Shippu would send a warning message called the "Thief's Summons" before striking, yet despite the magistrate's desperate search efforts, they couldn't find any leads. One day, a summons was shot into the residence of Ono Ryusai, who was leading a peaceful retirement life with his two concubines, O-Ran and O-Koshi. With the summons, various individuals including O-Ran's brother Itami Shigoshiro, the master of the Muso-ryu dojo, vigilante Mankichiro, rope expert Gohei, and Den'ichi from Kuromon Town were assigned to monitor the situation. However, while they were distracted by a neighboring fire, a chest containing a thousand ryo was stolen, and O-Koshi was killed.
Second in the Nage Utasamon series
Period film about the legendary detective Umon
A group of five law enforcers search Edo for a missing sword.
Film about Ghost-Cat.
1958 Mito Kōmon film.
A 1941 Japanese film directed by Shinzo Yoshida.
1961 Japanese movie
1960 version of Lion Festival of Echigo
Japanese film.
Kyoto in the third year of Bunkyu. --Serizawa Kamo, the head of the Shinsengumi, and the group around him spend their days and nights having fun in Gion and Shimabara, squandering precious military funds, and even robbing townspeople of money and valuables under the pretense of military funds. As a result, the citizens' voices of resentment towards the Shinsengumi grow louder. Kondo Isami, the deputy head, is concerned about this, but he wishes for peace within the group and suppresses the cries of spirited Okita Soji and others who call for them to be killed.
Detective Denshichi is called to investigate the mysterious disappearance of the Kishu family's daughter Teruhime and the activities of a dangerous group dressed as skulls and their female leader.
film directed by Tai Katô
