Koka Nakamura

In the midst of the depression, two ronin rack their brains to come up with a dishonest scheme. Taking a man from the countryside, they fashion him into Ise Isenokami, the finest swordsman under the sun. Pretending to be his followers, they visit various sword fighting dojo. Out of fear upon hearing the name Isenokami, they pay him off and do not let him enter their training halls. The impostor eventually comes face to face with the real Isenokami after rescuing his daughter, Oyae, who is caught up in a minor incident.

The Japanese equivalent of penny dreadfuls glorifying Jesse James, A Diary of Chuji’s Travels gives a unique gloss to the tale of Chuji Kunisada, the legendary bakuto (or gambler, the precursors to modern-day yakuza). One of the two remaining segments of Ito’s original four-hour trilogy, it depicts Chuji’s attempt to save the geisha Oshina, a rebellion against the rigid social structure of Edo Japan. With socialist overtones, it’s a passionate artifact of early Japanese film.

A traveling gambler becomes duty-bound to the wife and child of the yakuza he had slain and desires to leave the criminal life for good. However, with no other skills but his sword, he is forced to hire himself out in the midst of a gang war.

Directed by Kichiro Tsuji.