Steven McNicoll

Feed Me is a larger than life fairy tale, part TV talent show, part thriller, video game in which Maclean plays all the parts

A man does battle with a house fly.

Frantic knockabout tragedy ensues when Bobo is sent to clown prison for committing a daring but silly crime. Can he escape in time to prevent his family from bringing shame on all clowndom?

On April 12, 1961, Yuri Gagarin is hurtling through space. Down below, 7-year-old Billy Wilson keeps watching the skies, itching for an encounter with an alien being. When he discovers a mysterious stranger in a house nearby, events take a sinister turn. -GusF

Sophie goes on a killing spree in a candy-coloured world.

David Cairns and Fiona Watson offer a personal, witty and comprehensive study of the Hal Roach era of legendary Hollywood comedy duo Laurel and Hardy, including a film-by-film review of every short subject the team produced in the year 1928.

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?

A musical take on the story of the infamous Edinburgh graverobbers.

During WWII unusual experiments take place in a secret military bunker.

'The Weepers' is a 30-minute short film that playfully explores Scotland's relationship with the Gothic horror genre. Drawing on a variety of cultural reference points, including Scottish myth, haunted house movies and Doctor Johnson’s trip to the Hebrides, the film is a surreal exploration of Highland culture post-Clearances, where the number of sheep has gradually exceeded that of the human population.