Tina Pfurr

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

Today is Lara’s 60th birthday, which happens to fall on the same day as her pianist son’s career-defining concert. A failed pianist herself, Lara spends the time before his performance pacing about Berlin—boiling with jealousy, nerves, and pride—trying to get hold of her elusive son.

Mila and Charly use this way of escapism to avoid facing their respective crises. Hoping to find new ways of coping with their inner dead ends, they decide to take a trip to the sea but not take into account that they are taking themselves with them.

A lifeguard tries by all means to keep his home, an open-air swimming pool, from being closed.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Clara is studying for a Ph.D in philosophy in Berlin. In this middle-class male academic environment, she feels pushed to one side. She returns to her childhood village in former East Germany for her mother's birthday, and becomes aware that a distance has grown between her and her family.

Three women stage scenes for a philosophical film they are shooting.

Seeking the truth in a human grey area. Lawyer Annabelle Martinelli has specialized in sexual offences and represents victims of domestic violence. Shoe salesperson Doreen Markowitz seeks her support after pressing charges against her husband Leon for assault and sexual violence. The opposing lawyer is Annabelle's ex-boss John Quante, a cunning and unscrupulous divorce lawyer. Annabelle is convinced that her client has been systematically intimidated, beaten and forced to have sex. But the evidence is thin. One of several cases she has to deal with which put her professional distance to the test.

An African-German author loses his memory and is used by a modern National Socialist Party as a promotion-figure for more political power over Germany.

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

Berlin, an old building around the time of reunification. Squatter Bert is dead, suicide. His three ex-girlfriends Brit, Sandra and Anne search together for the reason. In the process, they become painfully aware of their different life plans.

Three actors - Lizzy, Marlon, and Ohboy - navigate city life between rehearsals, nightlife, and alienation. Marlon, new to town, struggles with his role and babysitting. Lizzy chases fame yet finds only transactional glamour in a club. Ohboy, adept yet trapped, drifts comically through urban traps. Linked by rehearsals for “City as Prey,” three episodes chronicle loneliness, friendship, and survival.

Young and pretty Emma is sentenced to anger management therapy after having thrown a toaster at her ex boyfriend and broken his nose. During the course of one day, her fate and her temper will be challenged several times. Will she be able to control her anger or will she lose everything?

Charlotte is a moderately successful film director who wants to make a political film, and really dive deep into the lives of socially disadvantaged women. There she makes the search for a single parent Hartz IV recipient and meets Gloria S. Gloria is her dream cast, but she doesn't know that Gloria is a real actress. Everything goes smoothly until the whole hoax blows up ...

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.

Queer binaries and emancipation agenda: Jochen and Sven struggle in achieving a regular sex life.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.