Jana Andresíková

Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.

October 1918: After returning to the civil life, the young Doctor Giorgino Volli searches for a group of children, which he had been the care-taker of before the first world war began. However, soon the searching becomes a part of hide-and-seek with death. Giorgino finds a village bordered with a treacherous marsh and rumours of wolves. There he also meets the mysterious Catherine....

This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.

The castle custodian Král is moving to a new place of work with his wife, son Radek and a five - years old daughter Terezka. Radek takes his cat Líza with him. A fully loaded truck moves through the country which is in spring blossoms, gradually changing into a snow-covered land. Children's imagination creates from real experiences magic stories - a fairy-tale grandpa takes them to a new castle, the children fear a black-horse rider who - as the grandpa and the cleaning lady assert she hates cats.

The director of films for kids called Bonzurka together with her loyal assistants Drahuska and Honza are looking for the actors for a new movie "The Knee". Children for this movie should not be afraid and shy and they must have talent for acting. Thus the scouting is quite difficult. The most difficult is to find an actress for a main character who lost her hair after a serious illness and now has to spent the whole holiday in the countryside with a bald head resembling a knee. Although the makeup artist does his best an artificial baldness does not solve anything. From the selected little girls only the self-assertive Rosemary has the guts to let her long hair to be cut and shave off her head.

Exotic, yet lyrically aimed fairy tale about a young gypsy Pista in search of a beautiful, gentle and faithful bride. An old man told him where to find a girl with those qualities, so Pista sets out on a journey to find the girl of his dreams without knowing that she is special: an hour a day human and rest of the day a chicken...

After a few months at the spa, 14-year-old Pavel discovers that his love, his classmate Zuzana, has outgrown him. In addition, she has found a new boy classmate, who is nicknamed Eifelák because of his height. This is a big shock for Pavel and like a proper teenager he is very worried, he invents blood feuds which usually turn against him, in short he is completely distraught. His problems and suffering are understood more by his grandfather than by his busy parents. But the right patch for the wound is found in the form of another girl whom Pavel meets by chance and who is very special...

In the 1950s, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers.

This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.

The two heroes of the film's story - the decent but dry engineer Zárub and the marriage swindler Majer - are granted this wish by the mysterious forces of the moon. The two men change their appearance, which, however, contrasts sharply with their unchanged characters and voices. The incomprehensible swap naturally becomes the source of many comic plots and situations.

Good-looking Edita Beningerová (Jana Brejchová) arrives at a chemical factory in the North Bohemian town of Ústí nad Labem together with her young assistant Nada (Zlata Adamovská). She is hoping that her ex-husband, outstanding practical chemical engineer Vik Panc (Eduard Cupák), will help her conduct an experiment to validate her proposed theoretical method of isolating cholesterol from lanolin. The success of Edita's invention is crucial for her career at the Prague Institute of Chemistry. Vik's roommate from his hostel Bréta (Ivan Vyskocil) is thrilled. He will finally meet the mysterious and fascinating Edita about whom he has learned so much from Vik.

In Kamenákov, the arrival of a Romany family becomes a problem for police chief Pepa and ignites an intense soccer rivalry.

While Kendy returns to his hometown as an assistant director to film a thirteen-part series with a television crew, Štěpán Šafránek, equipped with his mother's advice after graduation, takes up his first position - as an intern at the local hospital. However, his inadaptability to local conditions and his sense of ethics in his chosen profession do not suit his other established colleagues. While they are amused by his zeal and responsibility, Štěpán has increasing problems with his superiors, until he is finally transferred to the position of rural district doctor, which everyone rejects. In Bezdíkov, however, he meets a new, perhaps permanent and reciprocated love, with whom he eventually decides to live and work in northern Bohemia.

Set in a vagabond and petty bourgeois environment, the three stories deal with the pitfalls of love, the petty and insidious betrayals of trust.

Third movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

The summer holidays are approaching and the children are bragging about all the exciting places they are going to visit during the long-awaited two months of summer. Only Tonda is not looking forward to staying in Prague over the holidays. He brightens up after his father announces that the boy can visit some friends of the family in the village of Petipas.

Set in World War 2 as the Germans occupy Czechoslovakia, teenage Emilka's father is murdered by the Nazis, but she is selected for special treatment by virtue of being blonde. She is billeted with the commandant of a concentration camp near the Baltic coast, where his kindness towards her provokes his wife's jealousy, but is compromised when Emilka witnesses his brutality towards the prisoners.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

Taxi driver Koukal (Miroslav Machácek) is stopped by the police for a routine traffic check. In the boot of his car the police find the body of a naked man. Koukal is arrested even though he claims he knows nothing about it. The case is assigned to Major Mlynár (Milan Sandhaus). The police identify the corpse as that of an Austrian citizen called Mitrik. Koukal has been regularly driving people interested in gambling to a secret gaming den. The police are put onto the gambling den by another taxi driver, who admits that he drove Mitrik there. Mlynár and officer cadet Pecka (Ivan Vyskocil) feign interest in gambling and visit the gaming den incognito.

The biggest threat to a successful crackdown on drug traffickers and consumers is the international hitman Barták, sent to the Czech Republic to eliminate all his collaborators...

A smiling holiday story about an old car named Cleopatra and its four-member, all-male crew...

Three blue collar workers have a night out in big city Prague.

Two people scarred by a wartime past meet again years later during an archaeological dig. But the silent, inaccessible man in particular is reluctant to admit to anyone his harrowing experiences in a Nazi concentration camp, where he was the subject of horrific medical experiments.

In 1992, Prague is the capital of a small kingdom. The prince is supposed to choose his bride to be at a royal ball. But to everybody's surprise, he chooses an ugly cleaning-woman. She is shy and silent, but after the marriage she turns into a wild and rumbustious woman with an obstinate and stubborn mind. They both try to kill each other, but the queen is thrown into the dungeons.

Two seriously injured patients are brought to the hospital at almost the same time: truck driver Honza Linhart, who had an accident, and a young woman found unconscious in a forest by a man picking mushrooms. The woman is identified as Katerina Marková, the divorced mother of a young girl. Major Kalas (Rudolf Hrusínský) suspects that she is a victim of mugging since a bloodstained small ax has been found near the site of the crime and, according to witnesses, Ms Marková was missing her watch and a bracelet, from which a gemstone has also been discovered. Linhart has lost his only kidney in the accident; in order to live a normal life again, he will need a kidney transplant from the mugged woman if she dies.

A new patient enters the psychiatric sanatorium Sluneční dvůr. It is a high school Czech professor Robert Kilian, suffering from depressive neurasthenia, which manifests itself in a morbid indecision. His biggest problem at the moment is that he doesn't know if he should marry his girlfriend. He soon gets to know the other patients, the treatment regimen and the medical staff...

In a veterinary research institute, its workers are trying to deal with the sudden appearance of rabies. However, the work problem grows into a personal issue for each of them, especially for MVDr. Eva Krausová. Up until this point, Eva had lived the most ordinary life. A single mother in her forties, employed at the institute in a job that had already become routine; one day a week spent with a boyfriend – without any claim to any shared perspective; short holidays with a family in the countryside with a child, who is looked after by Eva's mother during the year. A woman who has not made it very far. Until one day, chance presents her with an opportunity that she has subconsciously been waiting for since her youth and forgotten about for years. But now, at forty?

Intolerance can already be ominously growing among children. Even the talented Petr, who is not accepted by his new classmates, will be convinced of this - he only encounters rejection and even betrayal of trust. More than exposing children's mentalities, however, the creators are trying to present a model of social morality, which, however, lacks both a more credible motivational background in the actions of the individual characters and the courage to point out the functioning of deformed relationships. However, they unfortunately did not reach the level and communication of Schorm's film Five Girls on the Neck, which dealt with a similar problem.

In a kingdom where the king is forever away on hunts, a restless queen desperate for a child strikes a pact with a devil and soon gives birth to a princess. Raised alongside Štěpán, the chambermaid’s son, the two fall in love, until it’s revealed that on her eighteenth birthday the princess must be wed to Lucifer, so the queen throws a grand ball to betroth her instead to a foreign prince and thwart the infernal bargain.

When former criminal Gaudl discovers the strange behaviour of his son-in-law Professor Horacek, he becomes worried about his daughter Hedwig and starts to gather evidence. When his suspicions seem justified, he visits his former colleague and friend, Lieutenant Colonel Maca. Little does Hedvika know that her husband is having an affair with their lodger Daniela. When her husband tells her of his intention to divorce her, she makes a scene at the least convenient time, while driving the car. This causes a crash in which a young hitchhiker is killed. She persuades her husband to drive away from the scene of the accident. In doing so, she takes a picture of her husband hiding the young girl's corpse in the woods. She now has a gun in her hand to blackmail the man, who decides to settle the matter once and for all.

A psychological film about the sense of self-fulfillment of a divorced couple over 30 who feel that life is slipping through their fingers. While she, a nurse by profession, is adapting better, he, unreliable and always improvising, is searching in vain for his clue and even tries to get back to his ex-wife.

In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.

The psychological story begins innocently enough with a meeting between two young people in the basement of a suburban house. A flirtatious and bored girl, who is not particularly selective about her lovers, provokes an unpredictable reaction in her partner with her unexpected rejection. Not only does the boy rape the girl, but, fearing discovery, he kills her. All this is witnessed by a little boy wandering through the holiday-empty house, who thus becomes an inconvenient and dangerous witness for the murderer. The psychological and later physical "battle" between these two unequal opponents, who are not really opponents at all, culminates in a story of guilt and punishment, and at the same time of a special friendship and loyalty.

No description available.

An occupation drama about a group of Czech scientists who, in a remote factory, investigate how to produce the vital penicillin as easily as possible - but for a long time they have been unable to find the only right mould to use as a base.

Lieutenant VB, disguised as a laborer, is looking for a young woman killer among the staff of a wheel loader. But which of the possible motives found is the right one?

A divorced single mother romances a young slaughterhouse worker, must to the chagrin of her ex-husband.

Even great love does not necessarily overcome a difference of morals - although the young hero is very much in love, he still rejects the comfortable and easy existence he could lead thanks to the family of his future father-in-law. A tediously moralistic comedy, it picks up with all seriousness the morality of a socialist man who has broken forever with petty bourgeois ideas. It is therefore too contrived, nor does it succeed in elevating the tawdry story in any way. A comedy about life's little and big compromises.

The story of Zdeněk Troška's new comedy, which was inspired by countless stone jokes, takes us to a peaceful South Bohemian town. A whole range of typically Czech characters and prototype families live here with their unchanging rhythm. For example, the Nováks. Pepa's father is a captain of the city police, his wife Vilma is a teacher, his daughter Julia is studying health, and nine-year-old Pepíček comments in an unspeakable way on everything that is happening around. The boy literally starts to have eyes on top of his head when a noble couple arrives in Kameňákov from England, to whom the local castle was returned as part of the restitution. Nothing is hidden in a small town, and soon everyone knows that the lord has come here to look for his father's treasure. Such news will bring the whole of Kameňákov to its feet and literally keep three local mafia members, the rich Kohn, the handsome chief of police and the experienced criminal, awake. And then things start to happen...

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

Technical school student Pavel Brychta, arrives at a youth correctional facility located within a chateau in Konečno. He is an atypical, but not hopeless case for the institution. Pavel comes from a well-off family and his antisocial behaviour on the verge of criminality was some kind of response to his difficult relationship with his authoritative father. However, it takes quite some effort for Pavel to find his place in this environment of bullying, and also diverse methods from the tutors

Carefree young nurse Marta learns upon her husband's death that he was involved in all manner of criminal activity, which puts her life in danger.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.

Three detective stories, three different views of life and death... Collection of three horror short stories.

Police discover Eva Nejtková dead in her apartment and her husband Zdeněk unconscious from a shotgun wound. Captain Hora leads the investigation, noting that the killer struck Eva fatally and shattered her large aquarium, yet carefully transferred the goldfish into a smaller tank. Initial suspicion falls on Zdeněk’s apparent suicide attempt, but financial records and the absence of drugs at the scene shift focus. Detectives trace psychotropic medication supplies to Eva’s dealings with local addicts. As they question these “práškaři,” they uncover a network of illicit sales and potential motives tied to debts and blackmail. Clues from the supplier’s arrest and addicts’ testimonies gradually reveal whether Eva’s murder was linked to her clandestine drug trade or if a more personal betrayal lies at the heart of the crime.

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.

A Czech film comedy about the ordinary days of an ordinary Novák family, about the confusion of finding and the winding road to wisdom...

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

Radek Simek, the driver of a postal car, is shot dead on his regular route. The Investigators give up initial suspicions of robbery, because he carried no greater amount of money. Even questioning Honza Marek, another mail car driver, brings no result. When the circumstances are becoming more and more suspicious. Marek decides to track down the killer on his own.