Marie Louise Alemann

A portrait of experimental filmmaker Marie Louise Alemann in two alternating characters

Portrait of women where they look at the images of their own faces and reflect on that experience.

Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.

A woman hides in the forest, attempting to become one with the landscape.

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In a forest, a woman is bound by rope and string to the trees. Gradually, she begins to remove the bindings.

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Wearing a swimming cap and one-piece, with a bright white face, an alien-like woman circles the camera, snarling and contorting her jaw, using a rainstick as a shield.

This documentary is an approach to the experience of seeing and listening to the trajectory of Narcisa Hirsch, a pioneer of Argentine experimental cinema, but who has also been part of the happenings and performances of the 1960s and 1970s.

The stories of four solitary characters form a single plot in which the rules of the game are determined by chance. Everyone is finishing something; everyone, unknowingly, is about to start over.