Helen Pearse Otene

This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mākutu lifting.

The father of a deeply troubled household that endured tragedy both from without and within, seeks to reconcile with his youngest daughter by making a journey to both symbolically and culturally lay the family "ghosts" to rest.

The 2005 discovery of a cannonball, buried for 138 years in a paddock, throws Waimate into turmoil. It is all the Maori locals need to confirm their long-held belief that they were forcibly removed from their tribal lands, in a bloody 1866 battle. The hotly contested claim eventually ends up in the District Court and on the lens of cameraman Dave who captures all the arguments, frauds and forgeries of the townspeople, in a cinema verité mockumentary style.

A small town, on State Highway 1, where nothing ever happens...then Rex Devlin dies in a suspicious car wreck and a mysterious stranger moves into the Temuka Hotel. Why is one of the world's biggest multinational corporations so desperate to buy a dowdy little backwater petrol station? Has Oscar Devlin really come all the way home from Los Angeles to sort out his meager inheritance, or is it Frankie he's come to see?

"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.