Claude Sainval

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.

Aged penniless actors are living in a old people's home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of love affairs. Passions come back, and jealousies... A bitter film about aging, failure and the entertainment.

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic like rats on a sinking ship, the brave female citizens, led by the bold wife of the burgomaster, decide to become the best hosts the Spaniards can ever meet.

In the elevator of two large Parisian buildings, a telegraph operator discovers the body of an elderly woman, Madame Mathieu, the owner of both buildings. Boucheron, the local superintendent, is dispatched to investigate, along with his rival, Inspector Lambert of the "Sûreté". To solve the enigma, they scour staircases and corridors, visiting every floor of both buildings, courtyard and facade. Their gruff rivalry allows them to complement each other in discovering who committed the crime among a gallery of characters, humble or rich, who all have something to be ashamed of... A rare, fast-paced, picturesque comedy set against the backdrop of a police mystery.

A fictitious biography of Jacques Offenbach and Hortense Schneider.

Elfy, Countess of Saint-Hélié's daughter, was brought up with her foster sister Anne, in an old dilapidated castle whose landlord, Baron Julius Carol, disappeared mysteriously some day. The two girls had a playmate, Hervé, the son of the gamekeeper. Now that they are adult, Anne is in love with Hervé while Elfy thinks she loves the young man. One day, the baron's mummified body is found in an oubliette and the secret of the estate is revealed...

"Altitude 3.200" asks the question and provides the premise of what would happen if a group of young people----poor, rich, discontented, bored--- were given an idyllic community in which to live. Call it a colony. Call it a village. Call it one-world. Mainly call it a futile exercise in changing human nature, mores, culture and attitudes at any altitude. For t'ain't no time before clashing personalities, petty jealousy, violence and---that old demon---love create havoc. And isn't much longer before they become re-united in the face of an avalanche that threatens to destroy them. They all return to whence they came, sadder and wiser.

Dedicated to men, natives and French, which under the leadership of General Lyautey, made modern Morocco. After a historical prologue where we see Clemenceau yield to the entreaties of Lyautey, we are witnessing the arrival of settlers on Moroccan soil with the rapid rise of one of them: the ambitious Bourron. Similarly it has conquered the land from scratch, Bourron could conquer a woman, Christiane, who followed him not without confessing his love for another man. It is this love that Bourron will use later to acquire a forest of olive trees, which he believed to be the symbol of its success. Christiane accept but never forgive her husband...