Alexandros Vardaxoglou

A Greek filmmaker plans to shoot a film, following the footsteps of the Greek revolutionary Rigas Feraios. While visiting the cemetery, a small crowd of ghosts of the 18th century personalities decides to follow his path.

The film captures the way Yorgos Zois worked with his actors during the shooting of the film Interuption, as well as the atmosphere that evoked on the filming set.

Earth has been abandoned for a long time and humanity has found refuge in outer space. Three archaeologists return to Earth to investigate the origin of a mysterious five tone signal…

In a distant future world, where water and air are contaminated, and it is prohibited to touch one another, a girl and a boy decide to go to a beach. Yorgos Zois creates an erotic sci fi through these dystopian times.

Max, a young artist, can't climax. She exhibits a sculpture and her friends make fun of her. Trying to liberate her sexuality she will lose herself in her fantasies where a black horse is hiding.

Brother and sister live in Athens; then they start a road trip.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.

Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.

The brief but intense encounter of a Greek police officer and a Syrian refugee changes the way the two see this world.