Milivoj Beader

Years ago, Toma recieved widespread acclaim for saving the Croatian president from a stroke via his supernatural powers. Years later, he arrives on a small Adriatic island, intending to build the headquarters of his would-be healing organization, which he names The Temple of Pure Love. Toma uses this opportunity to scam the locals out of their money and sleep with as many women as possible, but, when his son Ante falls in love with one of these women, a local baker named Ana, the generational conflict begins to create a strong disconnect between the two.

Based on the novel of Arsen Diklić which describes the horrors of concentration camp Jasenovac.

A journalist finally gets her first big break after she gets assigned to write a story on Roko, a young man whose been recieving death threats from the representatives of the local organized crime syndicates after his brother falls in major debt with them. She publishes the story, but this only increases the threats, leading to a harrowing tragedy.

Twenty-two-year-old Lana lives alone in an apartment in Zagreb. One day, an allegedly unknown man broke into her apartment. After a police insight, Lana remains living in an apartment with a broken front door and in anticipation of her father’s arrival.

Neda relocates from Croatia to New York City seeking financial and emotional stability. While navigating her new life in the metropolis, she maintains a complicated, distant relationship with her father, Jadranko, back home through late-night online chats. During these nocturnal browsing sessions, Neda stumbles upon a forgotten digital archive belonging to a 1990s cyberfeminist collective known as the Electronic Witches. The group—originally formed by activists during the Yugoslav Wars to teach women and queer individuals how to use early electronic bulletin boards (BBS networks) to bypass state censorship—quickly becomes an obsession for her. As Neda digs deeper into the virtual archive, her digital investigation spills into the physical world. Her quest to uncover the legacy of these wartime digital pioneers transforms into a personal journey of self-discovery, exploring themes of isolation, digital intimacy, and queer resilience without falling into tragic tropes.

Socialist Croatia, sometime during the 1980s. After he's accused of a crime he didn't commit, Martin is sent to a high-security state prison where he accidentally becomes a target of a violent gang.

25 years from the Homeland war, Croatia is far from ideal of the veterans, now disgruntled men silenced with pensions. A few war veterans are brought back together by an idea of Museum of Homeland Thanksgiving in Paromlin building in Zagreb city center.

Arriving on an island, a young woman embarks on a journey to discover her identity and place in the world. Her experiences on the island unravel a tapestry of past events, bringing hidden truths to light. As the situation grows increasingly complex, she is driven towards a profound reconciliation and acceptance, starting with herself and gradually encompassing those around her.

The recently divorced father of a nine-year-old, furious his daughter can't spend her birthday with him, bursts into her classroom with a birthday cake and a rifle. A hostage crisis ensues, and the mayor of the town in which the events take place will try to use the situation to gain advantage ahead of the elections, stopping at nothing. The son of a young policeman is in the same class, and before the events unfold, he'll have to answer a question as well.

A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.

The film focuses on Andreja, a young woman who lives with her parents in an atmosphere where each member of the family lives in their own world, burdened by their problems, without real communication or closeness. The film explores themes of misunderstanding and distance within the family.

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.

Family tensions are slowly eroding what should have been a carefree summer for the young boy Jakov. A series of events ending in tragedy will incite his emotional revolt against the grown ups, but also his sense of guilt.

The thematic framework of the anthology feature film DEEP CUTS is violence in all of its forms: as a destruction of intimacy, family, integrity, trust.

Legendary TV host Branko Uvodić invites all tamburica bands for a competition at a music festival. Attracted by the big prize, the band 'Aveti ravnice" travels to the festival and is wrongfully accused of stealing the main prize. During the night, they are chased by the police and have to fight other tamburica bands on their way to their home village. When they finally arrive, they face their last and biggest challenge.

Sara is a young mother who has several weeks of hospitalization left, slow routines and everyday struggles ahead of her, and the film follows her long day in the psychiatric yard.

One film made by 15 directors, Each one, after seeing the last minute of the previous one.

A godforsaken mountain village is the only home that a young football player, a miser peasant and an obese girl have. This isolated part of the country finds itself in the middle of the referendum regarding Croatia's decision of joining the EU. Our characters couldn't care less - they are absorbed in their problems. The young football player who accidentally killed his mother doesn't want to join a rich foreign football team and is willing to risk his father's love because of it. The lonely obese girl is so desperate for a friend and for a lover that she will end up seeking both in the pig-sty. The miser peasant will find out that the real misery is in loneliness.

Branimir is an anxious young man who works as a theater ticket taker. When he witnesses an act he should not have seen, he nervously starts to grind his teeth. Suddenly and bloodily, something stirs in him and Branimir frantically tries to push it back.

Father and son review the problems in their communication that have been accumulating in years. The son cannot get rid of fears that his life is being a true copy of his father's projections of his future, so he shoots a video letter with his amateur camera in which he tries to make his father look bad and present the evidences that would indicate how he became a much better person than him.