Keith Brunsmann

Sticks is an off-beat noir comedy about a smugglar of Cuban cigars who gets involved, and ultimately falls in love, with a Cuban revolutionary who's in the U.S. trading cigars for guns. The two join forces to sell a large (stolen) shipment of Castro's private label cigar, the famed "El Mariposa", and suddenly they find themselves enmeshed in the seedy underbelly of a mob-run cigar smuggling ring that's being monitored by the feds.

During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult who are preparing for the resurrection of their leader Nix, a powerful magician who was killed 13 years earlier.

Hamel portrays director Dickoff who suspends her career in order to help a friend who's been in prison for quite some time in connection with a murder.

The Duke Boys and company travel to Hollywood to sell some musical recordings in order to raise money to build a new hospital in Hazzard County. However, when their recordings and money are stolen, they wind up on the run from mysterious hitmen, sleazy record producers, Russian gangsters, and vicious loan sharks.

A painter's life is changed forever when a mythical and deadly spirit from Celtic lore becomes his muse and lover.

A woman becomes embroiled in a life-or-death struggle after kidnappers spirit her away to a remote area of Costa Rica.

Tweek City is a week in the life of Bill, a potentially closeted, half-Latino, small-time speed dealer in San Francisco's Mission District. Bill is stuck on an endless walk from one empty experience to the next. Only Bill's friend Jerm has the ability to connect and ground him in reality. When Jerm makes an ill-advised stage dive, Bill plunges into a downward spiral that takes him on a nocturnal journey through the streets of San Francisco and ultimately down to Los Angeles where he crashes his high school sweetheart's wedding. From his sleep-deprived, hallucinogenic state, Bill fails miserably in a desperate attempt to reconnect with his first and only love. With nowhere else to go, Bill jacks a car and ends up at the deserted drive-in theater of his childhood where he is forced to confront the ghosts that he had tried to leave behind.