Halka Třešňáková

In the aftermath of World War II, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German widower who lives with them.

The four best friends are confident, smart, having fun, discussing men, relationships and sex. But they're also taking care of kids, or they just had kids, or they're pregnant. Sara has a nice ass, so she started taking pictures of it and living in the world of social media. Hedvika lives in a bit of a golden cage, her workaholic husband isn't home much, so it's no wonder she's charmed by the young busker David. Zuzana, after her break-up with Kamil, is penniless, just a worked-up and hurried mother of two. Slovak immigrant Eliska, on the other hand, has a great boyfriend, unbearable parents, is pregnant and is sick of everything.

A burnt-out manager returns to his childhood summer camp for a few days to temporarily take over from his ailing father. Instead of peace and quiet, however, he finds a crumbling facility, a wacky camp crew, and the return of his first love—who turns his life upside down.

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A story of Eliska and her daughter, starting a new life in a remote house with the 'father away on business', as the mother claims. After the lie is disclosed, their relationship begins to wither. At that time, the mythical Noonday Witch begins to materialize. She is coming closer and closer and the question is poised: is the danger real or is it all in the mother's crumbling head?

In the former Czechoslovakia, 1950s, police captain Hakl investigates a jewelry robbery. An opened safe deposit leads to a known burglar. What seems an easy case soon starts to tangle. When he is called off the case, he continues on his own. The investigation leads him onto thin ice. Can he beat a stronger enemy and save his family and his own life?

This fascinating historical drama looks at the life of "the Czech Schindler," Zdenek Toman, a controversial figure who was an unsavory politician and dubious entrepreneur, but also the savior of hundreds of Eastern European Jews.

The main character, Klára, can still be just as insecure and confused at forty as she was at eighteen, only it doesn't look so cute anymore. Her marriage ends overnight, and she finds herself once again in the unpredictable world of dating and dating mishaps. She's raising two daughters, trying to survive her eccentric mother's lifestyle, and on top of that, she starts getting advice from an amazing relationship coach and influencer. Up until this point, she had her life pretty much planned out, but now she's become self-taught.

After a blind date gone horribly wrong Jim and Lauren agree they never ever want to see each other again. Well that's all about to change when the two find themselves and their respective families (including children) all stuck together in one suite at an African Safari vacation spot.

Mrs. Zahrádková has a plan to convince the other co-owners of the flats to finally save the house in which they live together and which is in emergency condition.

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The budget for the program to colonize Mars was so drastically cut back that settlements never appeared on the faraway planet. Now the only reminder of the ambitious plan is an abandoned base inhabited by a very lonely robot. The silence and tranquility of the red planet is eventually disturbed, however, by a privately-funded Czech crew, whose members have taken on the mission for very different reasons...

Tonda Blaník announced his presidential candidacy, promising, for example, butter and lithium for every family or corruption accessible to all, and even collected 100,000 signatures. However, he ultimately did not submit his candidacy for the presidency when his assistant Žížala failed to deliver the signature sheets to the Ministry of the Interior on time. Nevertheless, Tonda Blaník continues in his efforts to save the Czech Republic and show its inhabitants how to live better. The feature film follows on from the successful series Kancelář Blaník.

This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.