Hamilton Vaz Pereira

An elderly retired couple teams up with young partners to plan a daring bank robbery, while trying to outwit a detective determined to stop them.

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Three ghosts are trapped in a house and haunt each new resident in order to finish their mission on Earth so they can move on to the next life. That is until a couple of architects move to the place and decide to renovate it, revitalizing it. However, they end up discovering that the mansion was the site of an old concert hall called "Fervo" and go through a series of misunderstandings with the ghosts played by Rita Von Hunty, Gabriel Godoy and Renata Gaspar.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

On December 19th, 1983, the dream was taken away. The most coveted trophy of all time, the Jules Rimet Cup disappeared from the headquarters of CBF, the Brazilian Football Association. Let me explain: every 4 years FIFA holds a Football World Cup. Back then, only a country that won the Cup three times could keep the trophy for good. This privilege was reserved to Brazil when they won for the 3rd time in 1970. The beautiful trophy was kept as a symbol of superiority in the headquarters of CBF, in Rio de Janeiro. “Jules and Dolores” is a pop comedy that tell us the real, preposterous and unusual story behind this theft.

Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.

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A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.

On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.

The film tells the story of Luiz Antônio, a clumsy radio host, who unexpectedly finds himself in charge of a bankrupt radio station. Relying only on his passion for rock'n'roll and a crazy team, he creates one of the most emblematic radio stations in the history of Brazilian rock, Fluminense FM. Among guitar solos and radio signal interferences, we follow the adventures misadventures of Luiz.

A pickpocket assumes various identities to steal from the aristocracy in early-20th-century Rio de Janeiro.

Ney and Marcos share an apartment, the passion for music and for the same girl until time tears them apart. A few years later they meet again reviewing their attitudes, emotions and memories.

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

The 1990s marked the success of the boy-band Chocante. Twenty years later, the group has disbanded and the members took different paths in life. The old colleagues gather for an unexpected event, the death of one of the group members.

A fragmented style, patchwork of interviews with Caetano Veloso's friends, mixed with conversations, thoughts, scenes of dance and literature excerpts.

Alice faces a lot of trouble to make a film about artist Marcel Duchamp. She randomly chooses musician Antônio for the main part, and ends up having an affair with him.

Brazilian director Julio Bressane directs this religious biography on the life and work of Saint Jerome, the monk who first translated the Bible into Latin. Set both in the desert and in the posh confines of the Vatican, Jerome (Everaldo Pontes) agonizes over which Latin word would best fit its Hebrew counterpart. ~ Jonathan Crow, Rovi