Frank Rivera

A film which dares to imagine an alternative historiography of Jose Rizal by working the figure of Rizal into the society and sexuality of Sisa, a character in Noli Me Tangere.

The story of the Filipina domestic helper who was hanged in Singapore for allegedly killing her fellow maid is chronicled in a film that operates on various personal, social, and political levels. Both controversial and critically acclaimed, it has brought Nora Aunor numerous citations for her intense portrayal as the fallen heroine of the story.

A classic dramatic piece on poverty and prostitution is transformed into a poignant take on failed celluloid dreams. A son of a late actor notorious for womanizing in his heyday aspires to be a big star someday but can't get past beyond being a stuntman. His meager income hardly suffices to support his family driving the wife to resort to selling her body.

This is the story of a popular singer-actress (Aunor) who went into seclusion after the traumatic experience of watching her pregnant sister die in the wake of a stampede of her fans. Nearly twenty years later, she took in a young girl who wanted to be a star and tried to mold her into a copy of what she was before. With her she also picked up the pieces of the life she placed on hold and now was wishing to resume not as the star she was but as an involved caring and loving person.

A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.

A Filipino coming-of-age film directed by Johnny Manahan.

Jasmin, Violy, Baby and Daisy are sisters that were separated in their youth.

Set on the eve of a fictional inaugural of the Bangsamoro Government, the film revolves around Daud, a scion of a political dynasty who is reluctant to become a member of the Parliament, and his college buddy Marco, a struggling journalist assigned to cover the inaugural. The duo drive off to the countryside, reminiscing their days as student activists and discovering their deepest longings as hostages of a future they will inherit.