Maria João Pires

Maria João Pires

Acting

July 23, 1944
Lisbon, Portugal
12 movies

Biography

Maria João Alexandre Barbosa Pires (born 23 July 1944) is a Portuguese classical pianist, widely regarded as one of the leading interpreters of the repertoire of the 18th and 19th centuries. Pires was born in Lisbon, Portugal, a posthumous daughter of João Baptista Pires and his wife Alzira dos Santos Alexandre Barbosa. She has three siblings: Hugo Alexandre Barbosa Pires, Maria Regina Alexandre Barbosa Pires and Maria Helena Alexandre Barbosa Pires. Her first recital was at the age of five, a...

🎬 Maria João Pires's Filmography

12 movies sorted by popularity

Abbado: The Silence that Follows the Music
10.0

Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, Gran Teatro La Fenice, in February 1995, Chamber Orchestra of Europe). a) Richard Strauss, Elektra (Deborah Polaski, Karita Mattila, Marjana Lipovsek, Ferrucio Furlanetto) b) Beethoven, Symphony no 6 F-Major, op. 68, 'Pastorale' (Filmed in the Festspielhaus Salzburg on the occasion of the Easter Festival, April 1995, Berlin Philharmonic). a) Beethoven, Concerto for piano and orchestra no. 3 C-MINOR, OP. 37 (Maria Joao Pires) b) Bruckner, Symphony no. 9 D-Minor (Filmed in Paris, Cite de la Musique, in August 1995, Gustav Mahler Youth Orchestra).

Abbado: The Silence that Follows the Music

1996
Youri Egorov 1954 - 1988

'In 1980, the VPRO asked me to make a short film about the Russian pianist Youri Egorov. It was allowed to last ten minutes and was broadcast in the then Extra section. We were 25, both born in May 1954. It was my second short film, and I was very nervous. Youri didn't like cameras and even less interviews. But he agreed, "because you were even shyer than he was," his friend Jan Brouwer told me later. In the years that followed, we would meet up sometimes, and on one such occasion, during the last concert of Vladimir Horowitz, I promised him that later, when we would both be 50, I would make 'a real' film about a long and interesting life. Youri smiled politely. When he died in 1988, I said goodbye to him at his home, and Jan Brouwer reminded me of my promise. So I made it after all, a film about a short and intense life.' - Eline Flipse

Youri Egorov 1954 - 1988

1989
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