Gemma Whelan

Lawrence Talbot, an American man on a visit to Victorian London to make amends with his estranged father, gets bitten by a werewolf and, after a moonlight transformation, leaves him with a savage hunger for flesh.

In 1800s England, a well-meaning but selfish young woman meddles in the love lives of her friends.

Travel writer Lemuel Gulliver takes an assignment in Bermuda, but ends up on the island of Liliput, where he towers over its tiny citizens.

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.

Holly is a young, courageous hedgehog, but woefully sheltered by her overprotective Dad. Walter is an overworked, exhausted rabbit with a few dozen kids of his own, who just wants a change in his predictable routine. When this unlikely duo crashes into each other’s lives, things take a drastic turn. After a bump to the head Walter now believes that he is Sir Balderdash the Great – a hero, a warrior, a legend. While Holly, who is just thrilled to be out of the house, gets swept up in Walter's concussion fuelled fantasy.

Reader, I think you know who is most quotable. Charlotte Brontë has a confession about how one sister became an idol, and the other became known as the third sister. You know the one. No, not that one. The other, other one… Anne. This is not a story about well-behaved women. This is a story about the power of words. It’s about sisters and sisterhood, love and jealousy, support and competition. Directed by Northern Stage Artistic Director Natalie Ibu (The White Card), Sarah Gordon’s (The Edit) new play is an irreverent retelling of the life and legend of the Brontë sisters, and the story of the sibling power dynamics that shaped their uneven rise to fame. A co-production from National Theatre and Northern Stage

A police detective who finds himself paralysed and close to death after falling from a building, and must master lucid dreaming in order to survive. Plot TBC.

A pregnant widow, believing herself to be guided by her unborn child, embarks on a homicidal rampage.

A district nurse is assigned a new patient living alone in a dilapidated bungalow. The nurse soon discovers that her dying patient and the home she inhabits are hiding a dark secret.

Two sisters come together to spend Christmas with their families in their recently deceased parents’ falling down country house, with hilariously chaotic consequences, as ancient sibling rivalries flare up again to sabotage the hoped for season of good will.

Stephen Fry and Gemma Whelan star in 'Recall Me Maybe' a new FT drama written by David Baddiel, exploring AI, memory and truth. Fry plays a grandfather with dementia who uses AI to fill in gaps in his memory. While reviewing the archive of his life his family makes a shocking discovery. Which memories are really true? And how AI is defining who we are?

After her father's suicide in 1977, 11-year-old Ann struggles with grief, alcoholism, and promiscuity. Exploring her sexuality and self-destruction, she finds solace in art, overcomes family secrets, and achieves acclaim as a filmmaker.

A man is dying from a gunshot wound when the paramedic treating him discovers he's the perpetrator of a school shooting at her child's primary school, which puts her in an impossible situation.

When Sally's husband is trapped in an underground cave during a diving accident she finds herself trapped in the company of a talkative constable and an unwelcome guest.

A routine patrol for two soldiers becomes a cat-and-mouse, life-or-death ordeal, with a difference.

James, a 17 outcast, believes he is a psychopath. The ultimate test to confirm this: killing a human being. He meets Alyssa, a rebellious and rage-filled teenager, who convinces him to embark on a journey to find her estranged father.

British dark comedy-drama television series based on the minicomics of the same name by Charles Forsman