Fabrizio Aguilar

Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure.

After her death, a father will do everything he can to bring her daughter back.

President Fujimori's government is on its way out, and the citizens of Peru are struggling to get by, often engaging in unscrupulous means to get ahead--or just to make a buck. Rafo is a struggling filmmaker who supports his girlfriend Laura. He encounters a Spanish con artist posing as an executive for a major phone company, the Spaniard draws Rafo into an elaborate scam.

Mario is a stockbroker with plenty of money, a brand-new car, and a lovely girlfriend he's about to marry. However, on the eve of his thirtieth birthday, he feels unhappy with his life. He meets Berenice, a free-spirited and impulsive theater director, who will change his life.

Rebeca Duarte is a strong woman and resolute bisexual. Drawn to the risk and adrenaline-rush that her job provides, outsiders think Rebeca must have it all together. But Rebeca is still looking for something more. When she receives an unexpected package from an aunt, Rebeca’s neatly wrapped life begins to unravel. The package contains a photo album of her family in Peru, including pictures of her brother, who died before Rebeca could know him. The photos set off memories that cannot be silenced. As she follows the leads, Rebeca learns a truth about herself that shakes her to the core: the brother she was always told about was, in fact, herself. Rebeca learns of her childhood diagnosis as a hermaphrodite and the ensuing surgery that turned her “officially” into a girl. A compelling and skillful telling of a necessary story, BOTH is based on the experiences of the filmmaker as well as those of many other intersex adults.