Graham Weir

It's South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it's Spud Milton's first year at an elite boys only private boarding school. Spud is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home.

Set one hundred years ago, outlaw Johnny Madrid, after narrowly escaping death, goes on the run with the hangman's sensuous daughter Esmeralda by his side.

In 1997, six African women pledged that in the first year of the new millennium they would tell their stories, stories by African women. They called their series "Mama Africa" and drew their tales from the depths of their hearts. The result is a groundbreaking initiative bringing together the incredibly fresh talents of six female directors from the vast and diverse continent of Africa.

Intense love and hate bring a man and woman through personal tragedy.

The true story of a white South African racist whose life was profoundly altered by the black prisoner he guarded for twenty years. The prisoner's name was Nelson Mandela.

As Spud Milton continues his awkward stagger through adolescence, he learns one of life's most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. "I'm practically a man in most areas," writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud's world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

The bodies turn out to be very radioactive. A sheriff and reporter start to investigate ...

The Visual Bible: Acts is a 1994 film that depicts the events of Book of Acts from the Bible's New Testament. All of the dialogue is word-for-word Scripture, taken directly from the New International Version of the Bible.

The heroes are best friends and commandos sent on a covert mission by the CIA. The mission is a success, but the two incur the wrath of the world's most feared terrorist, a fanatical Islamic, when they set out to do one last mission.

Photojournalist Bo (Griffin O'Neal) and his girlfriend Angie (Tawny Fere) are captured and falsely imprisoned in Colombia. Angie's Sheriff / cowboy father Jethro (Richard Lynch) vows to use every method at his disposal to secure their freedom.

Sean's death leaves behind a twin brother, a lover and a good friend. His last will and testament insists that the three get together on a road trip to plant a cross where he died and also to try and get along. His twin brother had for years distanced himself from them because he did not approve of his brother's cabaret lifestyle and the friends he kept. They set off on a road trip through Southern Africa to perform tasks laid down in the will in order to inherit from the estate. They also have to do one final task of performing as a trio, the 'Manginas' for one last show with the twin brother taking his brothers part as a drag artist.

‘Snuff film’ with a little boy witnessing a real life on-camera murder.