Patrícia Niedermeier

Brazil: in a gray city in the near future, religious sects and rats live on the prowl. It rains non-stop.

After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.

In protest against the 500,000 deaths from COVID-19, five actresses recite poems by João Cabral de Melo Neto.

Two brothers are reunited in Lisbon to throw their father's ashes in three places in Portugal. This journey opens up affective issues between the brothers, where the past and the present refer to each other.

A tragedy occurs during a performance by an artistic troupe. And this episode redefines the lives of two sisters. Both live with the ghosts of what happened while a shepherd tries to expand his flock.

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A soldier coming home after the Paraguay War meets a theater group. A shock between war and art.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

Greg (Jorge Caetano) is a screenwriter hired to write a script about Maria Guaranis, a radical-style artist who has gone missing. As the author produces the script, he ends up identifying with Maria and getting lost in the creation process.

During the pandemic, Alice is hospitalized with COVID-19, and when she is intubated, she finds herself in a state between life and death. Guided by Virgílio, she embarks on a journey of hallucinations, memories, and the rediscovery of cinema as her purpose in life.

Cléo is making her first film, inspired by french cinema and the nouvelle vague.

Documentary about the brazilian poetess Ana Cristina Cesar, icon of the Mimeógrafo Generation and "Poesia Marginal", books like A Teus Pés, her aspirations, her life e her creative proccess. Artists, friends and researches remembers the poetess.

A vampire movie.

An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.

Two brides wait in a church room while their marriages don't begin. But they are not anxious, as expected: they do act like ghosts in existential horror. As they wait to be called to the start of their respective ceremonies, they reflect on their relationships and lives.

The memories of the trip made by the couple of artists Cavi Borges and Patrícia Niedermeier are transformed into an essay film. The scenery consists of landscapes located in Brazil, the United States, Germany, Syria, France and Hungary, where a series of choreographies and other performances created by the two are recorded.

The striking and sinuous shadow that intertwines with the conceptual imaginary moment reproduced on screen, runs over without mercy to everyone who is attached to old concepts and prejudices conceived in the residual decadent imagination of society in a globalized world.

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A woman, played by Patricia Niedermeier, finds and revisits texts and objects by women who lived through the horrors of the Holocaust and re-invents these memories in her own body.

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Two men roam the night of Rio de Janeiro with two prostitutes in search of pleasure and violence.