Vladimir Sokoloff

Vladimir Sokoloff

Acting

December 26, 1889 — February 15, 1962
Moscow, Russian Empire [now Russia]
75 movies

Biography

​From Wikipedia, the free encyclopedia. Vladimir Aleksandrovich Sokoloff (Russian: Владимир Александрович Соколов; December 26, 1889 – February 15, 1962) was a character actor on stage and particularly in film. Sokoloff was born in Moscow, Russia. He became an actor and assistant director with the Moscow Art Theatre before emigrating to Berlin in 1923. With the rise of Nazism, Sokoloff who was Jewish, moved first to Paris in 1932, then to the United States in 1937. He appeared in a number of ...

🎬 Vladimir Sokoloff's Filmography

75 movies sorted by popularity

Beg, Borrow or Steal
6.0

We find con-man Ingraham Steward living by his wits by steering wealthy Paris visitors to sellers of fake paintings and other assorted dodges. He and his wife, Agatha, have been separated for 15 years, but he promises to give their daughter, Joyce, a lavish wedding at his "château" in France. The fact that he doesn't have a château in France is just a minor trifle. He induces the caretaker, Bill Cherau, of a large country estate to allow it to be used for the wedding. The wedding party arrives and Bill falls madly in love with Joyce and she with him, but a gal has gotta do what a gal has gotta do, and her intended marriage to stuffed-shirt Horace Miller stays on the books. But Steward has a change of heart and he tells one and all that he and his friends, Von Gersdorff, Lefevre, Iznamof, Clifton Summitt and Sasch, are all frauds and crooks. Horace and his family stalk out, which is just fine with Joyce as her true love, the caretaker, is waiting on the grounds.

Beg, Borrow or Steal

1937
Queen of Atlantis
6.4

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

Queen of Atlantis

1932
Paris Underground
6.2

Constance Bennett both produced and starred in the espionager Paris Underground. Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory. The screenplay was based on the true wartime activities of Etta Shiber, who engineered the escape of nearly 300 Allied pilots. British fans of comedienne Gracie Fields were put off by the scenes in which she is tortured by the Gestapo, while Constance Bennett's following had been rapidly dwindling since the 1930s; as a result, the heartfelt but tiresome Paris Underground failed to make a dent at the box-office. It would be Constance Bennett's last starring film--and Gracie Fields' last film, period.

Paris Underground

1945
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