Júlio Rocha

Veronica, a young woman, lives in Recife, one of the most violent cities in Brazil. Her life is filled with fleeting love affairs and passing romances. As her father feels his death approaching, he asks a favor: that she finds true love before he passes away.

São Paulo is a complex city. So complex, that when stories based on true elements mix with fiction, it's hard to know which is which.

Nelita, Nina and Rita are all in their seventies and have been friends since childhood, and for fifty years they play the lottery weekly and are used to losing, until one day they win. Not too much money but enough to fix their lives, as long as their husbands don't find out beforehand.

Interned in an orkutian detox clinic and other male virtual, the dependent Jader Bertola, in his last days of life, makes a "download" of his memories for a roommate to write a book telling his story.

Lovers attempt to shut out the harsh realities of life.

Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.