Yizhak Rabin

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Columnist and author Natascha van Weezel and programme maker Sinan Can have been engaging in dialogue with people on both sides of the conflict since the start of the war in Gaza. Despite hatred, name-calling, and even threats on social media, they continue to seek dialogue. Last year, they did so in the Netherlands. Now, in the conflict zone itself. In Bridge over the Fault Line II, Natascha and Sinan travel to Israel, where war rhetoric usually drowns out reason.

Gaza Ghetto: Portrait of a Family, 1948 – 1984 is a documentary film about the life of a Palestinian family living in the Jabalia refugee camp. The film, created by Joan Mandell, Pea Holmquist, and Pierre Bjorklund in 1984 is believed to be the first documentary ever made in Gaza. The film features Ariel Sharon, Binyamin Ben-Eliezer and soldiers on patrol "candidly discuss[ing] their responsibilities." The film follows a refugee family from the Gaza Strip who visit the site of their former village, now a Jewish town in Israel. As the grandfather and great-grandfather point out an orchard and sycamore fig that belonged to Muhammed Ayyub and Uncle Khalil, an Israeli resident appears and tells them to leave, claiming they need a permit to be there. The mother tells him that, "We work in Jaffa and Tel Aviv and that's not forbidden," to which he replies, "Here it's forbidden."

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

The shooting lasted on six tense days in June 1967, but the Six Day War has never really ended. Every crisis that has ripped through this region in the ensuing decades stems from those six fateful days.

A look back on the life of Nobel Peace Prize winner, Shimon Peres, who served as prime minister of Israel twice and negotiated the 1994 Israel-Jordan peace treaty.

Dan Katzir's autobiographical film expresses the outcry of his generation, as it struggles to find love and privacy amidst the reality of daily terror and hate. Mr. Katzir, a former officer and paratrooper intimately reveals his loves story with Iris, a charming girl about to begin her army service. A truly poetic film filled with beauty innocence and wisdom. This film is also an important historic document with rare and shocking footage from the era of assassinated prime minister Yitzchak Rabin. Made with much love and humour, this brave film examines Israel's most painful scars.

2003 documentary film produced by Oliver Stone for the HBO series America Undercover about the conflict in occupied Palestine. He speaks with Ehud Barak and Benjamin Netanyahu, former prime ministers of Israel, Yasser Arafat, late president of the Palestinian National Authority, and various Palestinian activists resisting the oppression of the zionist regime.

Leila Khaled was the first woman to hijack a plane. In 1969, she showed her grenades to the terrified passengers by order of the Che Guevara commando unit of the Popular Front for the Liberation of Palestine. Through the ensuing media bombardment, she put the Palestinian nation on the global map. The pretty 24-year-old Leila became a hero to many Palestinians, including the Swedish/Palestinian teenager Lina Makboul, who is now a filmmaker. At least Leila dared to do something, Lina thought at the time. She visits Leila 35 years later with a camera, and finds a woman who does not regret anything.

In a series of interviews with cultural and television figures, artists, and researchers, Shai Lahav attempts to deconstruct one of the most traumatic and formative moments in Israel's cultural and political history.