Julian Farhat

In a remote, isolated Lebanese village surrounded by land mines, Muslims and Christians live together in peace. As civil strife starts to engulf the country around them, the women in the village try, by various means and to varying success, to keep their men in the dark by sabotaging the village radio, and then destroying the village TV.

Under the imminent threat of Lebanon's garbage crisis, Hala, a wild child inside of a woman, is the only one to refuse evacuation, clinging to whatever remains of home.

In a war-torn Middle Eastern city where music has been banned by Islamic extremists, Karim, a brilliant musician, struggles to rebuild his destroyed piano while trying to escape to Europe.

Hanna, a melancholic woman, comes to Lebanon after 12 years absence. She wants to find her twin brother who has been kidnapped during the Lebanese civil war.

Beirut, on an autumn day. The city is on the edge of chaos, but for Maya, Tarek, Yasmina and Rami, aged between 17 and 22 years old, it is just an ordinary day during which they question themselves about sex, love and night time hanging out.

In a war-ravaged Syrian neighborhood, a musician struggles to rebuild his piano after it is destroyed by terrorists.

Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.

Faced with an impossible choice, a young man discovers he is dead 8 years earlier to his decided time, that divine mistake can be only corrected by one of two ways.