Alojz Kramár

In a small town in Nazi-occupied Slovakia during World War II, decent but timid carpenter Tono is named "Aryan comptroller" of a button store owned by an old Jewish widow, Rozalie. Since the post comes with a salary and standing in the town's corrupt hierarchy, Tono wrestles with greed and guilt as he and Rozalie gradually befriend each other. When the authorities order all Jews in town to be rounded up, Tono faces a moral dilemma unlike any he's known before.

The life on the poor Slovak hills, the lazy hills, where agriculture is at a primitive stage and where the shelves give a small harvest. Meanwhile, socialist industrialization is reaching an amazing boom in the valleys. Therefore, it is necessary to solve the problem of small farmers on poor farms and the lack of labor in ever-growing industrial enterprises. The film, based on the fate of Matěj Rendek, who returns to Slovakia after 18 years from America, and on the fate of his family, who have toiled for years on poor fields and slaved for a rich farmer, shows how this problem must be solved: an agricultural cooperative is established on the lazy hills, which, with the help of machines, can handle agricultural work better and with a significantly smaller number of laborers, and most of the lazy villagers leave to work at a large sawmill.

A tragicomedy about people who are able to make use of the war situation for their own benefit. The Gavora family of four leave their secure village home blinded by the vision of a big career and easy earning of money in the capital city.

Television adaptation of the novel by the Italian writer Italo Svevo. His hero is Zeno Cosini, the son of a merchant in Trieste. He is a type of useless person, defeated by life and incapable of action. The ironic insight with which the author draws a picture of the townspeople of Trieste at the turn of the century sounds like an accurate diagnosis of a social class that is doomed with its entire lifestyle and morality.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

A bricklayer, Jozef Haviar, decides to live with his family on the small farm of his father through the difficult years of the economic crisis. But on his return to his father's house he gets into a conflict with his brother. The life-and-death conflict between the two brothers documents the difficult situation of Slovak country life in the 1930s, the time of economic depression.

The construction of a large dam in Slovakia is hindered by the influence of small farmers on the landowner Bujna, on whom they depend for help with the harvest and for monetary loans.

A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.

A Slovak detective story set in contemporary Bratislava and featuring ordinary people with their own everyday problems. The violent death of Olga Holešová places them under heavy suspicion of murder. A series of strange coincidences and circumstances complicate the investigators' work. Her husband's infidelity, the loss of a large sum of money that the treasurer Fiala is supposed to replace, a lawyer earning extra money by doing various odd jobs - all these are confusing clues, among which investigator Jakubec eventually finds a thread that will lead him to the correct solution to the case.

Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.

A story of two old friends, who after ten years - one as the deputy director and the other as the chairman of the party organization - meet on a large construction site.

Vlado, an intelligent boy living in a small village, has fantasies that take him away from his humdrum life. But as the Nazi occupation begins to encroach on the townsfolk his fantasies and reality begin to merge.

This drama from the times of Slovak National Uprising is situated in a small Slovak village. It is the tragical story of a widow and her four sons who fight alongside the partisans against the German occupants.

A television production of a play by Ján Palárik. A comedy directed against nationalism, national indifference and stupid arrogance. A classic plot built on a mix-up of characters.

Peter and Lena had a daughter, Zuzka, soon after their wedding. Lena graduated from drama school and wanted to act, but there were no vacancies in the theater in the city where they lived, and she was forced to join a traveling troupe. Lena was away from home for months. Peter and Zuzka missed her very much. One day, Peter met Eva and fell in love with her. When Lena learned about this, she returned to the city, never to be separated from her family again.

A film about a little boy's desire to befriend an old abandoned dog.

Television film based on the classic Slovak drama by Ivan Stodola. The theme of the play is the return of a supposedly dead man. The Ondrej-Eva-Mišo relationship triangle will only be solved by the death of one of them.

Episodic film consisting of three satirical shorts ('Smutný káder', 'Typický prípad' and 'Vel'korysá kampaň') comically exposing the shortcomings of society. In the interval between each short, a committee recognising themselves in the characters on screen, voice their approval or disapproval of each film.