Fernando Arévalo

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When the Velezes agree to buy a used Chevrolet Bel-Air from their neighbors, who've recently won a brand-new car in a school raffle, they're thrilled about the prospect of leaving Bogotá's public transportation system behind. Little do they know that, despite its glossy red exterior, their newfound status symbol is a real lemon. Colombian director Luis Orjuela helms this hilarious look at the pitfalls of automobile ownership.

After seeing how the Colombian National Football Team achieves a draw against Argentina, Mariano Concha —a public employee for whom football is a great passion— starts a whole process to attend the next crucial match, in Bogotá and against the same team, going over all his duties and risking the future of his reduced economy. An unexpected event transforms his plans to go to the stadium.

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The economy is not doing well and in a few months Lucia will lose the mortgaged house where she lives with her two children, Mr. Carlos the owner of the Second-hand store, Sergio, Clown by day, waiter by night, and his wife Victoria. Julieta, the youngest child, is the family's salvation. She just graduated from law school when, on the morning of November 6, 1985, she leaves for her job at the Palace of Justice and never returns. There are witnesses that claim to have seen her alive after the Palace burned down after the Guerilla attack, the habitants lives of the house won't be the same. Based on true events and on a play in Colombia, 1985.

Rogelio Pataquiva, the handyman at the Clinica Verde, faces a tough decision that will test both his dreams and his heart. Torn between his longing to see the sea and the chance to support the “super-baldies,” a group of children with cancer who inspire him with their courage, Rogelio becomes part of an unexpected crime.