Xavier Seron

The wolf patrol finds itself on the site of their last scout camp. Where Ludovic, the new boy, had disappeared twenty years earlier. They have all gathered in the middle of this Ardennes forest because Etienne aka “Buffalo” sees an evil giant rat. And to make it disappear, his shrink had the good idea to undertake a kind of group therapy. Because apparently, this bad rat would have a link with the scout who disappeared… But everything will go to hell when at the bottom of their toilets, they will discover a temporal passage…

A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.