Josef Vajnar

Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father, evolves into the story of a break-up. With the dead father lurking in the background, secrets gradually emerge threatening to destroy their marriage.

The deportation of 4000 Jews from Budapest to Auschwitz in July 1944, as told by George Tabori, and how the narrator’s mother escaped it, owing to coincidence, courage and some help from where you’d least expect it.

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

A broadly drawn ideological epic set in the summer of 1947 in the borderlands of northern Bohemia: reactionary elements plot to undermine postwar social change while committed local communists struggle to organize workers and defend the emerging order. The narrative follows several archetypal figures—steadfast party activists, wary peasants, and obstructive reactionaries—whose clashes illustrate the claimed inevitability of working-class victory under communist leadership.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

Biography of Karel Čapek.