Érica Rivas

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.

In Buenos Aires, 17-year-old Bennie seeks out his estranged brother Tetro, a once-promising writer haunted by their family’s past. As Bennie uncovers Tetro’s hidden manuscript, old secrets and rivalries resurface, forcing both men to confront the truth about their father and the tangled legacy that tore their family apart.

As her Parkinson's disease progresses, a woman leads a relentless investigation into finding those responsible for the sudden death of her daughter.

Inés works as a dubbing actress and sings in a choir in Buenos Aires. While on an idyllic trip she suffers a traumatic episode that she can’t recover from. She has trouble sleeping and experiences very vivid nightmares as strange sounds begin to emerge from inside her. Awake, Inés feels suddenly surrounded by people that seem to come from her dreams.

María is eighteen years old, she lives with her mother in an old house in Buenos Aires in 1978, subletting rooms and giving classes to poor illiterate adults. Suddenly she is abducted by a military squad and finds herself accused of subversion and submitted to torture in the hideous underground of the Garage Olimpo, while her mother desperately tries to find her.

Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.

A woman and her 14-year-old daughter, who is a sleepwalker, in the midst of awakening. A marriage on the edges of a silenced crisis. A ritualistic, matriarchal, and endogamous family. Grandmother, siblings, cousins. A new summer, sweat, alcohol, traditions. Naked bodies, changing bodies, and the gazes upon those emerging bodies. A new New Year's celebration in the old historic family mansion is the trap for the sleepwalkers to finally awaken.

At a summit for Latin American presidents in Chile where the region's geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures political and family drama that will force him to face his own demons.

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A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

The special is a comedy of entanglement that happens around a typical neighborhood of the city that was altered by the presence of Nelson, a line, which we vizinhos consider an ungrateful place. Decide to hold a meeting to decide what to do and this is the scene for the first meeting between Mariela and Octavio. The problems of the neighborhood need to be excused by two young people to relate them.

Facundo is a normal and normal boy, who needs a job to survive. He has just finished high school and is in a critical situation that does not allow him to continue studying. This is how he begins to wander around the city for several days until one morning, through a classified ad, he meets Doctor Benavidez, a man of respectable appearance, who offers him a job in decent conditions. But not everything is what it seems.

Whilst a mother drives with her daughter through the wealthy suburbs of her home city, eyeing the houses of the rich, she accidentally drives her car into a beautiful flower patch inside the front yard of a mansion, bogging their car down. The daughter needs to provide the solution, before her mother’s visceral fascination with the house and its owner drives them both to a point of no return.

The night. One night. Perhaps any night anywhere. It rains. A woman. No. A man. A man and a woman. No. A man, a woman and someone else. The table. A table. A table immersed in alcohol, singing, playing music. The music. No, jazz. JAZZ! The seduction, the crossing. Acting, pretend. Laught. The kisses. No. Decline. One night, a woman a man and someone else, on a table. No. The Void.

Plagued by anxiety, Gaby retreats to Ema's secluded home for an alternative therapy. What begins as a path to healing soon turns into a disturbing ritual of obedience - leading her into a world where humans behave like domesticated pets.

A hot summer in a small town. The lives of many characters intertwine as a Preacher comes to town to give them hope.

Mercedes, a widow of eighty and fearful of loneliness, falls in love with Sebastian, a writer sixty years younger than her. Mercedes will feel trapped in her wrinkled and slow body that which prevents her from living their love as it should be lived.

Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers

This Argentinian dramedy gives us elements of Woody Allen’s nervous comedy and Cassavetes’ melodramatic roller coaster in a storm of egos that takes place on one decisive weekend in the lives of Juana, a popular actress about to star in an important theater production, and her husband Roman, a director suffering from writer’s block. The couple’s daughter, Lila, serves as a mirror reflecting her parents’ frustrations and joys. The long takes, atmospheric music, and stellar performances, give a poignant, sometimes hilarious portrayal of a family as they attempt to negotiate their egos with their marriage and artistic lives.

A single mother is an expert in black magic, but has never used it to do evil, until a prostitution network kidnaps her daughter.

Two siblings on a mission. After their elderly father gets hurt in an accident, they run to his side. He has breaking news about their mother, who abandoned them. He also hid something valuable and now brother and sister must work together.

In this poignant period drama set in 1960s Argentina, a young woman, struggling to raise her twin daughters alone after the tragic death of her husband, accepts the courtship of a charming but mysterious older suitor.

Eduardo, manager of an insurance company, is under a lot of stress and that's why he runs, especially when he is about to explode. One day, returning from an unsuccessful business trip, he meets a mysterious man at the airport who presents himself as a friend and benefactor and encourages Eduardo to change his life and be free

Eduardo Peña and Angel Ruiz are two Spanish actors who are on tour in Argentina. They try to achieve success there with a play that speaks of man and his passage through life, but the spectators are becoming increasingly scarce. One day his old car breaks down and they stop at Zapallares, a lost town. There, on the eve of the municipal elections, they meet an old friend, Professor Roberto Tolosa (Dario Grandinetti), critical of the construction of a new hotel and with the political class of the place and that will try to reopen a theater with the help of their fifth-year students, despite opposition from politicians.

A romantic holiday has left Inés all alone. She's not at all happy about it.

Sebastián is a locksmith who begins to have revelatory visions about his clients every time he touches their locks. This power complicates his life.

In the aftermath of the May Revolution, which sparked the end of Spanish colonial rule and the establishment of the first independent government in Buenos Aires, revolutionary leader Juan José Castelli is given the order to oversee the execution of former viceroy Santiago de Liniers. This pushes Castelli into a deep moral conflict, forcing him to confront the tension between revolutionary justice and personal conscience, as well as the human cost of political change.

Tells the hectic life of four residents of the same building in a neighborhood of Buenos Aires.

Oscar discovers that a Norwegian band has made a remix of a song by an artist that “belonged to their production company” 30 years ago. He has promised his girlfriend Natalia a trip to Miami. But the little information he obtains places the whereabouts of the former singer somewhere in the mountains of Córdoba. He invents a story to deceive Natalia, and they head towards those inhospitable places in their old convertible.

The new film by César González follows a maintenance employee at a printing house whose routine, almost as automatic as the movements of the company machines, is altered when she makes a decision that threatens both her job and her everyday life in the neighborhood.