Maria Grazia Marescalchi

Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.

A criminal mastermind sets up a phony film production as part of a plan to smuggle stolen gold.

Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark, and begins getting attention from young men. Her daughter tries to warn her that even though she has had the surgery it might be too late for her marriage, but she clings to the hope that Mark will come back once he sees her new look. Meanwhile, she must decide whether or not have an affair with a young man she's met.

Kitosch is charged with a crime he did not commit and joins up with Joshua Tracy, a vicious outlaw. When Tracy kidnaps and blackmails his former employer Kitosch redeems himself by saving them.

Lawyer Federico Fendi has reasons to suspect that his fashion model wife Carla is secretly one of Rome's highest paid call-girls.

A gang of bandits takes control of Tucson in preparation for the arrival of a consignment of gold, with only a band of voluntary soldiers trying to outwit them and save the town.

A 1966 biopic of Francis of Assisi presents him as a troubled rebel and champion of radical brotherhood, reflecting the spirit of 1968 student protests. Praised and condemned, the film sparked controversy for its bold, dissenting portrayal of faith.

In this comedy, a guru’s groupie plans to seduce him so she can number him among her many conquests.

Walter and Paola, presenter and godmother of the sixth Cantagiro, are involved in a misunderstanding: to dismiss a suitor, the presenter pretends to be married to Quattrini.

The story of the “Oresteia” begins with King Agamemnon's return to Argos after the fall of Troy. The chorus, composed of old Argives, recalls the sacrifice offered to the gods by Agamemnon, in Aulis, of his daughter Iphigenia to gain their favor.

The trial of Saint Teresa de Lisieux.

A Count marries a woman with illness that makes her suffer attacks of vampirism. The Count took flight in the wildest horror, and ran, without any idea where he was going or what he was doing, impelled by the deadliest terror, all about the walks in the park, till he found himself at the door of his own Castle as the day was breaking, bathed in cold perspiration. Involuntarily, without the capability of taking hold of a thought, he dashed up the steps, and went bursting through the passages and into his own bedroom.