Mansjur Sjah

Mansjur Sjah

Acting

September 21, 1936 — June 19, 1980
Binjai, North Sumatra, Dutch East Indies
35 movies

Biography

Mansjur Sjah was an Indonesian film actor.

🎬 Mansjur Sjah's Filmography

35 movies sorted by popularity

Jembatan Merah

Mbok Puspo’s cafe, at the edge of Kalimas, under Jembatan Merah or “Red Bridge”, is a meeting place for many. Mbok Puspo also sells rags for additional income while her adopted daughter, Sudiasih, runs the cafe and is the shining beauty of the place. The regulars are Ngawang, a small time thief who fails to make his wife happy; Kenanga, who becomes a prostitute to spite her husband; Siswanto, a student who does not have the courage to confess his love to Sudiasih; Pungguk the painter; a civil servant, and a postman. The love stories between Siswanto and Sudiasih; and Ngawang and Kenang are the central plots. Seeing Siswanto and Sudiasih’s love, Ngawang and Kenanga also find each other. Meanwhile, Mbok Puspo is in a dilemma when she receives a letter from her child, Sri Bidari, who was adopted by a rich family.

Jembatan Merah

1973
Samson Betawi

Samson was born after 13 months in his mother's womb (Mak Wok). Before birth, he predicted Mas Sastro (Eddy Gombloh) that the son of Mr. Hamid (A. Hamid Arief) would have great strength and if his armpits were shaved, his strength would be lost. Pak Hamid was made a lot of headache because of Samson's behavior after birth. He often fights, so the opposing parents often ask for compensation from Mr. Hamid. Finally Hamid's family fell into poverty until finally, 17 years later Samson was determined to go to the city to look for work. In the city he meets Siti Duile (Yatni Ardi) accidentally who is almost hit by a car. Samson helped Duile and them get acquainted. Secretly Sutan Malenggang Di Langit (Mansyur Syah), a promoter, also saw the incident, and finally invited Samson to partner in a show that featured Samson as a strongman and wrestling match.

Samson Betawi

1975
Lingkaran Setan

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

Lingkaran Setan

1972
Si Pitung
10.0

Unlike in traditional *lenong* tales, Si Pitung does not die; he is like a cowboy who resolves a problem and then moves on. Si Pitung (Dicky Zulkarnaen), a student of H. Naipin (M. Panji Anom), gains the strength to fight against the oppression inflicted upon the common people by landlords. With the help of his friend Djiih (Sandy Suwardy), he thrashes the landlords' hired thugs as well as the colonial police officers. Meanwhile, the colonial police commander (A. Hamid Arief) devises a plan to thwart Pitung. Pitung’s girlfriend, Aisyah (Paula Rumokoy), is taken to become the third wife of Demang Meester (H. Mansjur Sjah). Just as the wedding celebration is about to take place, Pitung succeeds in rescuing his beloved, declaring that he will go to wherever people are in need.

Si Pitung

1970
Samiun dan Dasima

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Samiun dan Dasima

1970
Nji Ronggeng

Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.

Nji Ronggeng

1969
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