Takashi Kodama

A school teacher suggests to his class that they ought to raise a pig together and eat it when it grows up.

Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.

The winds of change blow as a family grapples with unemployment, alienation, mistrust and a lack of communication. When a Japanese salaryman loses his job to outsourcing to China, it's simply the beginning of a series of shattering incidents, leading to the implosion of the family unit.

Mirai and Haruna are shooting a show streamed on smartphones which introduces different viewer submitted videos. That day the videos were all of paranormal phenomena, carefully selected alleged accurate accounts of haunted occurrences. In the middle of one video, the image gets interrupted, immediately turning back on to show a footage that was not in the script. The video capture an urban legend rumoured at Haruna’s school. A psychic on the show assesses that a certain demonological ritual must be performed in order to rid the school of this phenomena. The director, agents and the two girls go to the school accordingly to find there is more to the video than meets the eye…

Kako (Fumi Nikaido) is a female high school student. She lives at a restaurant run by her family in Kitashinagawa, Tokyo. Unexpectedly, Kako's aunt, Mikiko (Kyoko Koizumi), suddenly appears. Kako thought her aunt died 18 years ago. Her whole family is embarrassed by Mikiko's appearance due to a past incident caused by Mikiko. Kako is also irritated when Mikiko lives in her room. They spend the summer together.

High school student Kasumi Ogino is a member of the school choir and after years of praise for her singing voice thinks she is the absolute bee’s knees. When the object of her desires, classmate and photographer Junichi Makimura, asks Kasumi is he can photograph her singing she accepts, thinking this means she is beautiful as well. However the end result is a comical shot of Kasumi with her mouth wide open, which Makimura likes to a hungry salmon! Distraught by the ensuing humiliation, Kasumi quits the choir, until she is encouraged to return by an unlikely counsel - the brutish leader of thuggish rival all male choir, Hiroshi Gondo.

Five outstanding researchers from the Tokyo Metropolitan Police Department’s crime lab are gathered and given powers for special investigations in response to diversified modern crimes. They are called the Scientific Task Force or ST for short. The new, elite Inspector Yurine Tomohisa becomes the ST’s commanding officer. Meanwhile, a shooting rampage breaks out. Five people are shot and one of them, a female company employee, dies. The media reports this as Japan’s first case of indiscriminate shooting. The ST is mobilised and Yurine heads to the crime scene...

Akira Mochizuki survived a kidnapping as a child. Now, she's a detective, and there are signs that the kidnapper may be back again after 20 years.