Gorica Popović

Gorica Popović

Acting

August 13, 1952
Kragujevac, Serbia, Yugoslavia
60 movies

Biography

From Wikipedia, the free encyclopedia Gorica Popović (Serbian Cyrillic: Горица Поповић) (born 13 August 1952) is a Serbian theatre, television and film actress. Description above from the Wikipedia article Gorica Popović, licensed under CC-BY-SA, full list of contributors on Wikipedia.

🎬 Gorica Popović's Filmography

60 movies sorted by popularity

The Fragrance of Wild Flowers
5.4

A well known theater and movie actor, dissatisfied with his conditions at home and at the theater suddenly stops the dress rehearsal of a play in which he has one of the main roles, and goes on the Danube to visit his friend, a boatman transporting bricks on his small barge from a brick plant in a poor settlement to Belgrade. This unexpected action confuses everyone in the actor’s environment. Everybody sets out to the Danube in order to find out the real reason for the actor’s odd behavior and to find out when he will return to normal life. The actor refuses to talk, stating that he only knows what he does not want! The young director, who had started working on filming a portrait of the actor prior, doesn’t know what to do. The opening night is postponed.

The Fragrance of Wild Flowers

1977
The Fall of Italy
5.8

The setting is the islands off the Dalmatian coast of Yugoslavia, during WW II. The islands are controlled by occupying Italian forces, and a resistence movement of Communists is dedicated to sabotaging and ending the occupation. When a wealthy young man joins the resistence, he falls in love with a woman who turns out to be a spy for the Italians. As a result of his liaison and her activity, they are both executed by a Communist comrade - a previous friend. The comrade is dedicated to the hard-line policies of the resistence, until he himself falls in love with the daughter of a bourgeois landowner on the island - a landowner who has collaborated with the Italians. Neither the Italian occupying army (one officer is shown in an attempted rape scene) nor the resistence fighters are stereotyped forces for good or evil, but all are equally subject to the dehumanizing effects of war.

The Fall of Italy

1981
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