Shiori Doi

Two dancers, opposites in all but their art, agree to train together for a competition. At first, they clash, but soon become drawn to each other.

Kawai Joji, an aspiring screenwriter who has won a screenplay competition but has yet to make his professional debut, meets a beautiful woman, Naomi, in a rundown bar one day. Naomi says she is working at the bar while aiming to become an actress. On another day, Joji is asked by his screenplay instructor if he would like to write a screenplay for a film based on Tanizaki Junichiro's "A Fool's Love" on his behalf. Joji is determined to succeed this time, but struggles to write the script. Meanwhile, Joji meets Naomi again, and the two of them quickly become closer, but...

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

High schooler Haruna befriends loner Yamada, then is drawn into the tangled relationship between him, a model and the girl who loves him unreasonably.

Postwar Ueno: lawyer Yone Yamada’s sister is attacked and the truth buried. Fueled by rage, Yone writes “Article 14” on a wall and, after reuniting with Taichi Todoroki, opens a law office to fight for the oppressed.

Mugimaki Satoko, who has developed an illness she will have to live with for the rest of her life, commutes from an apartment complex where the rent is 50,000 yen to her part-time job four days a week. Having given up on moving to the countryside, she has been feeling somewhat depressed. One winter day, Tsukasa, who is staying next door, invites her to go for an early-morning walk, but she turns him down. Satoko, who feels self-conscious because everything requires physical strength, is hesitant and says, "Someone like me..." even as her landlady, Suzu, and neighbor Koma get excited talking about romance. Suzu then invites Satoko to her home. Amid her usual daily life with her coworkers and friends from the apartment complex, surrounded by medicinal cuisine, Satoko gradually finds small moments of happiness. This is a special episode about those ordinary yet quietly wonderful days.

A chance meeting between two teens, on the way home from school, changes their lives forever.

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

Taxi driver Gion Taro falls in love with one of his female passengers. When he learns that she is a famous actress shooting a film in his beloved hometown Kyoto, he doesn't hesitate for a second to apply for the last remaining acting role - as a taxi driver. Based on a radio drama, Gion Taro's odyssey is charmingly animated with paper cutout figures, set against the backdrop of scenic Kyoto.

Saki, a high school girl who always skips classes, works part-time as a life adviser.

Shuji Tokita (Eiji Okuda) is a film director and a professor at a university. He goes through a difficult time trying to film his new movie. He believes his movies reflect his own personal expriences. A female high school student, Ritsuko (Yukino Murakami), appears in front of Shuji.

Through philosophical and science themed imagination, Emile questions everything from his teenage years to adult life.

Screenwriter Goro Kaiba is horrified to learn via Facebook that his wife Ayako is having an affair. Furthermore, her post about the affair has received 108 likes. Absolutely furious, Goro Kaiba contemplates divorcing his wife, but he estimates he will have to pay her half of his assets, about 10,000,000 million yen, in a divorce. To get revenge, Goro Kaiba decides to use that money on a epic one month womanizing streak. His goal is 108, the number of likes his wife received on social media.

Shunsaku was paralyzed from the neck down at the young age of 36 by a spinal injury suffered in a motorcycle accident. A blind woman named Hanae arrives to be his caregiver. Despite her frustrations with Shusaku's ill-nature and verbal abuse, Hanae also harbors a tremendous sense of being deprived that she doesn't tell others.

During the one-year memorial of his late beloved father, a soon-to-be father (Hoshi Ishida) struggles to reconcile his feelings of loss and receives support from his mother, sister and wife. -JAPAN CUTS: Festival of New Japanese Film

No description available.