Ludmila Genika-Chirkova

The production by Kirill Serebrennikov revives all four of Alexander Pushkin's classic blank-verse dramas: "Mozart and Salieri", "The Miserly Knight", "The Stone Guest", and "Feast in Time of Plague". Without changing a single word of the original text, Serebrennikov seamlessly blends classic literature with the stark realities of the 21st century. The director explores human nature through a modern lens, reflecting on envy, greed, egocentrism, and the profound fear of aging and oblivion. In this reimagining, the Miserly Knight becomes an archivist of a vast library, his son turns into a motorcycle racer, and the grim "Feast in Time of Plague" takes place inside a modern nursing home. Serving as the central musical and thematic thread, famous Russian rapper Husky performs his own songs between the acts, acting as a contemporary Prophet and bridge between eras.

On the evening of May 9, 1945, when Moscow is noisily and cheerfully celebrating the Victory Day, a young girl agronomist Zina Sokolova and a sailor officer Lavrentyev meet in the compartment of the Moscow-Vladivostok train. The sailor takes the lively, direct character of the girl for windiness and frivolity. Sokolova also reacted frowningly and mockingly to the satellite. To get to know each other better, travelers are helped by nuisance: they are behind the train, and the rest of the way they are together, getting to know people and the life of the country along the way.

The granddaughter Masha unexpectedly arrives at the home of Professor Okaemov. It is not easy for her to understand the complex, reserved nature of her grandfather. However, life, which entered the house with the arrival of the girl, cannot leave the old man indifferent. He finds joy and fulfillment in the newfound sense of responsibility for his granddaughter's fate.

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A school boy finds a fallen pilot in the forest during the fire started by enemies.

Miniatures of writers from Russia and foreign countries.