Asao Uchida

Asao Uchida

Acting

August 1, 1920 — September 30, 1996
Pyongyang, North Korea
184 movies

Biography

No biography available.

🎬 Asao Uchida's Filmography

184 movies sorted by popularity

New Battles Without Honor and Humanity 2: Head of the Boss
7.4

The seventh in the shocking "Jingi Naki Tatakai" movie series, which exposes the true lives of the yakuza that is hidden by a mask of "jingi". The next stage of this continuing drama is the Kanmon Channel where the Owada and the Kyoei groups are battling for territorial rights and drug smuggling. The Owada sends their man, Tetsu, and his friend Shuji to kill the Kyoei boss. With the promise of fame and riches, Shuji takes the fall and goes to jail for 7 years. But when he's released, he discovers that he and Tetsu have been all but forgotten by the Owada. Feeling betrayed, Shuji takes matters into his own hands and becomes an unsuspecting pawn in an internal conflict and an assassination attempt on the Owada boss. And now angered, Shuji seeks revenge...

New Battles Without Honor and Humanity 2: Head of the Boss

1975
The Seburi Story
6.6

The culturally isolated, nomadic Seburi people of western Japan are the subject of this tragedy about a few of the community's members who especially experience difficulties as modern Japan encroaches on their world. The setting is World War II, and conflicts have already arisen when the military police come to take Seburi men away into the army. Still following their own customs that can be harsh at times, and are particularly cruel to women (women must give birth alone and unaided, a woman's adultery is punished by burying her up to her neck in the earth and then leaving her for days), the Seburi are mainly treated with fear and animosity by the non-Seburi townspeople of the region. Along with the hardships arising from cultural clashes, nature's own vagaries present other challenges to the Seburi -- who still lived in tents until the 1950s. Winter avalanches and snowstorms cause as much havoc as the tensions engendered by the slow encroachment of the modern world.

The Seburi Story

1985
Bloodstained Clan of Honor
7.4

The story takes place in the sunset days of the yakuza in 1965. The postwar turmoil that created the black market and lubricated illegal business opportunities was giving way to Japan Inc. A young Bunta Sugawara takes over as the oyabun of a crime syndicate in Yokohama, where he is struggling to keep operations at the port there alive. As his syndicate is eroding quickly, a major heavy industries company offers his gang the chance to chase some vagrants out of a shantytown where they are squatting on land where a factory is to be built. The job would secure steady profits for Bunta's crime ring for years to come. However, Bunta and other members of his outfit grew up in the shanty, and they would be muscling their friends and neighbors. This sets the stage for an internal struggle that complicates the violent struggle with a rival mafia organization in Tokyo.

Bloodstained Clan of Honor

1970
The Private Police
7.5

After the war, Kijima (Bunta Sugawara) returns to Tokyo where he meets Ôba (Noboru Andô), an Ex-Kamikaze pilot, and the two ruffians gather hooligans to join their group. In Ginza, the Togawa gang have taken over Sakurada's territory. After several fights Kijima and Ôba gain control of the territory by chasing out the notorious Togawa Group in the name of Sakurada. But Kijima is arrested for assaulting an American soldier. A few years pass. Kijima has served his prison term and the sears of war have been erased from Ginza. Ôba is now president of a company specializing in collection of bad debts, cheque frauds and everything that means money. People call their organization the “Private Police,” and Kijima begins to work for Ôba. Now the Takegami gang waits a chance to seize the Ginza territory.

The Private Police

1969
Women's Police
10.0

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

Women's Police

1969
Mission: Iron Castle
6.3

The Shinobi-no-Mono series was so successful that Daiei Studios dipped into the well one more time, making the best 60′s B&W ninja movie ever seen in the otherwise color-dominated year of 1970. Issei Mori directs Hiroki Matsukata as the reluctant leader of a small band of spies charged with kidnapping a noblewoman from a heavily ninja-proofed castle. The finality of the air slowly began to fill like smoke, and in all that had become dark the loyalty of the Ninja who dared to go shone like light as they entered a world shrouded in mystery. Things do not go as planned in what is possibly the darkest and most fatalistic of the already noir-ish 60′s fare. Both the decade and it’s distinctive style of shinobi cinema went out on a high note with Mission Iron Castle.

Mission: Iron Castle

1970
The Woman Gambler
10.0

Second film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin. In a fierce gambling den where rough men clash like sparks, two female gamblers vie for the same man in a high-stakes, best-of-seven showdown—from which only one will emerge victorious. Amid the tense atmosphere, Natsue, a highly skilled card dealer, gracefully reveals her hand with the flick of her slender fingers. At that precise moment, across the table, Takiko’s face goes ashen—she’s just lost the fateful game her lover had wagered his fortune on. The next day, Takiko and her boyfriend attempt a double suicide in despair, but she survives alone. Consumed by twisted emotions toward Natsue, a man named Isobe manipulates Takiko. Under his influence, Takiko seduces Tagami—who is Natsue’s fiancé—setting the stage for a dangerous and tangled web of love, revenge, and deceit.

The Woman Gambler

1967
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