Armand Babel

This is a surreal comedy is about a factory set in a barren landscape that dispenses a minute portion of water to stragglers carrying pans as receptacles. Inside, the workers seem to be doing nothing that makes any sense, and they are watched over by a periscope set up by twins who run the factory. An unexplained, plain woman living on the premises is sought after by the whimsical foreman (Maurice Benichou) -- also known as the "gardener" because he has planted flowers in the coal wagons that remain on a maze of train tracks -- the only "stock" owned by the company.

Gwen is a young girl adopted by a nomad tribe in a desert post-apocalyptic world. When Gwen's friend is kidnapped, she and an old woman called Roseline embark on a trip to bring him back.

Inspired by the life of 19th century composer Robert Schumann, this fiction tells the decline of Hans Richter, a great German musician. Then dying, he feels his reason leaving him, while his wife gets closer to his disciple, Friedrich Turner, who has endless admiration for him. After his death, Turner helped make him a legend.

The love affairs of Bob, a womanizer and seducer and Mammouth, the unhappy loner.

Adaptation for TV of the play by Friedrich Durrenmatt. A very rich old lady arrives in her nearly bankrupt native village. She is ready to come to the rescue but only if her old lover who had once abandoned her pregnant is killed.

Félix de Vandenesse's youthful love for the beautiful, inaccessible Madame de Mortsauf, who devotes her life to a half-mad husband and two fragile children. Madame de Mortsauf maintains a friendly, tender relationship. But when she learns of the young man's affair with an Englishwoman, she dies of jealousy and regret.

Georges Le Roi lives odd jobs and shares his life between two girlfriends. One day, he falls in love with Sophie and records a message of love. The tape is mistakenly broadcast in the company. In the face of success, Sophie founded the company Tell me about love and spread the messages of Georges, who soon became a sex symbol.

Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.