José Ramón Soroiz

When you own a non-denominational funeral parlour. When you’ve lost your driver’s license for drinking too much. When you fall in love with an office trainee 25 years your junior. When your daughter begins to understand that you’re not the father she thought you were. When the retired boxer who lent you money is on your back. When death seems more interesting than life... What could go wrong?

One day, Pedro Sansinenea left family, friends and country, an environment that drowned him. Twenty years later he returns to the Basque Country for several reasons, where he finds old hatreds, new conflicts and even a dramatic love story.

Ana, a young Basque woman whose husband, Tomás, is serving a sentence for terrorism in Puerto de Santa María, finds love again with Luis. Although Tomás, aware that his chances of regaining his freedom are nil, encourages her to rebuild her love life, this new relationship is met with rejection by those close to the prisoner.

After breaking up with his partner, 76 year-old Vicente leads life the way he likes it in Maspalomas: he spends his days lying in the sun, partying, and looking for pleasure. An unexpected accident obliges him to return to San Sebastián and to the daughter he abandoned years ago. Vicente will have to live in a retirement home where he finds himself driven back into the closet and to conceal a part of himself that he thought was long resolved. In this new environment, Vicente must ask himself if he has enough time left to make his peace with others… and with himself.

Andrés, a music teacher diagnosed with cancer, seeks treatment at a hospital in the city. His travels there on a singular, dilapidated bus accompanied by other cancer patients. It soon becomes an extraordinary experience, giving him new friends and a far more joyous understanding of life. He also learns to conquer his fears, such as the stage fright which has frustrated a budding career as a musician.

Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.

Amaia has just become a mother, and the challenge is even more significant than she imagined. So when her partner has to leave for several weeks because of his job, she decides to spend time with her parents in a lovely coastal village in the Basque Country and hopefully share the responsibility of looking after her baby. However, she forgot that even when one becomes a parent, one never stops being a daughter.

An act of cowardice influences the lives of two Basque families over three generations.

No description available.

In a small Basque village in 1925, a wake is being held for Inge, the young wife of Mikel Martikorena, who has died suddenly.

Two Basque brothers and businessmen try to save their family heritage from imminent ruin. They believe they have found the solution in a quick deal: they will exchange the stock of elvers from their small local business for Cuban cigars bought in Cuba. But the charm of Cuban women and the greed of the self-styled businessmen threaten to disrupt everything.

Juan Martin, a young boy from San Sebastian, decides to spend the summer in a remote hillside farmhouse to improve his Basque. But there he discovers that the language they use has little in common with his classroom learnings.

In the course of an ox competition, a whole town loses a lot of money by betting on the favourite couple of oxen.

Aitziber’s father travels to the city daily in order to prevent his childhood home from demolition. This apparently senseless action will end up becoming a way to vindicate his own memory.